Rolling Stones - MFSL Collection (1964-78){Millennium Remasters}

Rolling Stones - MFSL Collection (1964-78)
FLAC | No Cue No Log | 2.31 GB | Covers
{Millennium Remasters}

The Rolling Stones set includes the albums from the MFSL BOX SET: THE ROLLING STONES (UK version), 12 X 5, OUT OF OUR HEADS (US version), AFTERMATH (UK version), BETWEEN THE BUTTONS (UK version), THEIR SATANIC MAJESTIES REQUEST, BEGGAR'S BANQUET, LET IT BLEED, GET YOUR YA-YA'S OUT!, and HOT ROCKS. To complete the set, MFSL's other titles STICKY FINGERS and SOME GIRLS are also included.
The Rolling Stones set has been in the works for quite awhile and just about never saw the light of day because of the SACD releases. The new SACDs are great sounding and are a lot of fun to listen to. Much of the Stones' material wasn't recorded under the best of conditions. The SACDs often smooth out the characteristic hard-edged sound and bring out some detail lost in the red line.
Nevertheless, the MFSL LPs have a clean, precise sound stage that is somewhat lacking on the SACDs.
They have a less compressed sound and really stand up on their own. In other words, they wouldn't be offered if not felt to be a worthwhile listening experience.

THE ROLLING STONES
01 Route 66
02 I Just Want to Make Love to You
03 Honest I Do
04 I Need You Baby
05 Now I've Got a Witness
06 Little by Little
07 I'm a King Bee
08 Carol
09 Tell Me
10 Can I Get a Witness
11 You Can Make It If You Try
12 Walking the Dog

12 X 5
01 Around and Around
02 Congessin' the Blues
03 Empty Heart
04 Time Is On My Side
05 Good Times, Bad Times
06 It's All Over Now
07 2120 South Michigan Avenue
08 Under the Boardwalk
09 Congratulations
10 Grown Up Wrong
11 If You Need Me
12 Susie Q.

OUT OF OUR HEADS
01 Mercy Mercy
02 Hitch Hike
03 The Last Time
04 That's How Strong My Love Is
05 Good Times
06 I'm All Right
07 Satisfaction
08 Cry to Me
09 The Under Assistant West Coast Promotion Man
10 Play with Fire
11 The Spider and the Fly
12 One More Try

AFTERMATH
01 Mother's Little Helper
02 Stupid Girl
03 Lady Jane
04 Under My Thumb
05 Doncha Bother Me
06 Goin' Home
07 Flight 505
08 High and Dry
09 Out of Time
10 It's Not Easy
11 I Am Waiting
12 Take It or Leave It
13 Think
14 What to Do

BETWEEN THE BUTTONS
01 Yesterday's Papers
02 My Obsession
03 Back Street Girl
04 Connection
05 She Smiled Sweetly
06 Cool, Calm and Collected
07 All Sold Out
08 Please Go Home
09 Who's Been Sleeping Here?
10 Complicated
11 Miss Amanda Jones
12 Something Happened to Me Yesterday

THEIR SATANIC MAJESTIES REQUEST
01 Sing This All Together
02 Citadel
03 In Another Land
04 2,000 Man
05 Sing This All Together (See What Happens)
06 She's a Rainbow
07 The Lantern
08 Gomper
09 2,000 Light Years from Home
10 On with the Show

BEGGARS BANQUET
01 Sympathy for the Devil
02 No Expectations
03 Dear Doctor
04 Parachute Woman
05 Jig-Saw Puzzle
06 Street Fighting Man
07 Prodigal Son
08 Stray Cat Blues
09 Factory Girl
10 Salt of the Earth

LET IT BLEED
01 Gimme Shelter
02 Love in Vain
03 Country Honk
04 Live with Me
05 Let It Bleed
06 Midnight Rambler
07 You Got the Silver
08 Monkey Man
09 You Can't Always Get What You Want

GET YER YA-YA'S OUT!
01 Jumpin' Jack Flash
02 Carol
03 Stray Cat Blues
04 Love in Vain
05 Midnight Rambler
06 Sympathy for the Devil
07 Live with Me
08 Little Queenie
09 Honky Tonk Woman
10 Street Fighting Man

HOT ROCKS
01 Time Is On My Side
02 Heart of Stone
03 Play with Fire
04 (I Can't Get No) Satisfaction
05 As Tears Go By
06 Get Off My Cloud
07 Mother's Little Helper
08 19th Nervous Breakdown
09 Paint It, Black
10 Under My Thumb
11 Ruby Tuesday
12 Let's Spend the Night Together
13 Jumping Jack Flash
14 Street Fighting Man
15 Sympathy for the Devil
16 Honky Tonk Woman
17 Gimme Shelter
18 Midnight Rambler (live)
19 You Can't Always Get What You Want
20 Brown Sugar
21 Wild Horses

STICKY FINGERS
01 Brown Sugar
02 Sway
03 Wild Horses
04 Can't You Hear Me Knocking
05 You Gotta Move
06 Bitch
07 I Got the Blues
08 Sister Morphine
09 Dead Flowers
10 Moonlight Mile

SOME GIRLS
01 Miss You
02 When the Whip Comes Down
03 Just My Imagination (Running Away with Me)
04 Some Girls
05 Lies
06 Far Away Eyes
07 Respectable
08 Before They Make Me Run
09 Beast of Burden
10 Shattered

Part 01
Part 02
Part 03
Part 04
Part 05
Part 06
Part 07
Part 08
Part 09
Part 10
Part 11
Part 12
Part 13
Part 14
Part 15
Part 16
Part 17
Part 18
Part 19
Part 20
Part 21
Part 22
Part 23
Part 24
Part 25
Part 26

 

 

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Scorpions - In Trance [K2 24-bit; limited jap. Papersleeve]

Scorpions - In Trance
limited jap. Papersleeve; K2 24-bit [BVCM-37924]
EAC rip w/ CUE + Log | FLAC (single file) | full HQ Scans | Released 1975/2007
~ 280 mb incl. recovery | RS & Enterupload | Genre: Rock; Hard Rock

Allmusic.com rating: 4.5 out of 5 Stars

“

Review by Barry Weber The Scorpions' third release, In Trance, continues to display their high-energy music, which is impossible to ignore. With the eyebrow-lifting "Dark Lady" as the opening track, the album immediately captures the listener's attention and keeps it all the way until the end. The interesting title track is clearly the best song of the album, but singles such as the fast-paced "Robot Man" and the hard-rocking "Top of the Bill" also stand out as highlights. Excellent singing and powerful music make this the best Scorpions recording working with Uli Jon Roth.

”

In Trance is the 3rd studio album by the German heavy metal band Scorpions released in 1975.

The original version of the album cover clearly showed the cover model's bare breast hanging down towards the guitar. Later releases have the breast blacked out so that it is not visible. This is the first of many Scorpions album covers that have been censored.

Track listing

1. "Dark Lady" – 3:25 (U. Roth) 2. "In Trance" – 4:42 (R. Schenker/K. Meine) 3. "Life's Like a River" – 3:50 (U. Roth/R. Schenker/C. Fortmann) 4. "Top of the Bill" – 3:22 (R. Schenker/K. Meine) 5. "Living & Dying" – 3:18 (R. Schenker/K. Meine) 6. "Robot Man" – 2:42 (R. Schenker/K. Meine) 7. "Evening Wind" – 5:02 (U. Roth) 8. "Sun in My Hand" – 4:20 (U. Roth) 9. "Longing for Fire" – 2:42 (R. Schenker/U. Roth) 10. "Night Lights" – 3:14 (U. Roth)

Specials: K2 24-bit Mastering; original Vinyl replica (uncensored)

Personnel

* Klaus Meine - vocals * Rudolf Schenker - guitars * Ulrich Roth - lead guitars,vocals * Rudy Lenners - drums * Francis Buchholz - bass

Links: (EU.com) Part 1 | Part 2 | Part 3 | Cover

Links: (RS.com) Part 1 | Part 2 | Part 3 | Cover

Pass: aksman


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VA - Classical Album (2005)

VA - Classical Album (2005)
Classical | EAC Rip | FLAC | NO CUE, NO LOG | 753Mb | English

his 2CD set is the ultimate guide to crossover classical music and includes all of the biggest classical musicians from the likes of Luciano Pavarotti, Andrea Bocelli, Russell Watson & The Three Tenors through to the rising talents of Hayley Westenra, Katherine Jenkins, Amici Forever & Vanessa Mae.

Track list
Disc: 1
1. Never Say Goodbye (Adapted from "Pavane") - Hayley Westenra
2. Amore e Musica - Russell Watson
3. Time To Say Goodbye - Katherine Jenkins
4. Granada - Bryn Terfel, London Symphony Orchestra, Barry Wordsworth
5. Song to the Moon (from Rusalka) - Lesley Garrett
6. The Unknown Soldier [Riders on the Storm - The Doors Concerto] - Kennedy, Tran Quang Hai, Prague Symphony Orchestra, Peter Scholes
7. Nuns' Chorus - Kiri Te Kanawa, The Mormon Tabernacle Choir, Utah Symphony, Julius Rudel
8. Prayer in the Night - Amici Forever
9. Be My Love - Mario Lanza
10. The Flight of the Bumble-Bee - Julian Lloyd Webber, English Chamber Orchestra, Nicholas Cleobury
11. Una Mattina - Ludovico Einaudi
12. Ave Maria (arr. from Intermezzo from "Cavalleria Rusticana" - Angela Gheorghiu, London Philharmonic Orchestra, Ion Marin
13. Harry Potter And The Prisoner of Azkaban - The City Of Prague Philharmonic, Nic Raine
14. Crucifixus (8-Part) - The Sixteen, Harry Christophers
15. "Quando me'n v≥" (Musette's Waltz) - Anna Netrebko, Gianandrea Noseda, Wiener Philharmoniker
16. Ti adoro - Luciano Pavarotti, Stefano "Tellus" Nanni, Kameron Brown, Michele Centonze, Fabio Sartoni, Marco Tamburini, Piero Odorici, Roberto Rossi, Veris Giannetti, Bulgarian Symphony Orchestra
17. In Paradisum - Sissel
18. La donna Φ mobile - Juan Diego Fl≤rez, Orchestra Sinfonica di Milano Giuseppe Verdi, Carlo Rizzi
19. Resurrection (from The Passion of the Christ) - Lenka Pecharova, City of Prague Philharmonic Orchestra, James Fitzpatrick
20. The Entertainer - Emma Johnson 21. O Come O Come Emmanuel - Aled Jones
Disc: 2
1. O Sole Mio - Andrea Bocelli, Vladimir Fedoseyev, Moscow Radio Symphony Orchestra, Victor Popov, Academy Of Choir Art Of Russia
2. Sabre Dance - Vanessa Mae
3. "Questa o quella" (Ballata) (Duca) - Plβcido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
4. Annie's Song - Arranged by Charles Gerhardt; adapted by Craig Leon - James Galway, London Symphony Orchestra, Klauspeter Seibel
5. Vespera - Libera
6. River of Dreams (adapted from "Winter") - Hayley Westenra
7. Cavatina (Theme from The Deerhunter) - John Williams
8. Explosive - Bond
9. Vide cor meum - Katherine Jenkins
10. Distant Land - John Rutter, Melanie Marshall, The Cambridge Singers, Royal Philharmonic Orchestra
11. "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" - Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung
12. "Lascia ch'io pianga" - Renée Fleming, Orchestra Of The Age Of Enlightenment, Harry Bicket
13. The Mass - Era
14. Panis Angelicus - The Choir of King's College, Cambridge, James Vivian, Stephen Cleobury
15. Kanon in D major - Duel, London Session Orchestra, Gavin Wright
16. Into The West - City of Prague Philharmonic Orchestra, Crouch End Festival Chorus, Nic Raine
17. Now We Are Free - vocal mix - Myleene Klass
18. "Voi che sapete" - Magdalena Kozenβ, Prague Philharmonia, Michel Swierczewski 19. Blow The Wind Southerly - Kathleen Ferrier
20. Quanta Qualia - Janet Coxwell, English Chamber Orchestra, Conventus, Patrick Hawes


Links:

http://rapidshare.com/files/225431040/The_Classical_Album_2005_CD1.part1.rar
http://rapidshare.com/files/225429718/The_Classical_Album_2005_CD1.part2.rar
http://rapidshare.com/files/225431039/The_Classical_Album_2005_CD1.part3.rar
http://rapidshare.com/files/225431018/The_Classical_Album_2005_CD1.part4.rar

http://rapidshare.com/files/225429686/The_Classical_Album_2005_CD2.part1.rar
http://rapidshare.com/files/225480427/The_Classical_Album_2005_CD2.part2.rar
http://rapidshare.com/files/225495574/The_Classical_Album_2005_CD2.part3.rar
http://rapidshare.com/files/225495515/The_Classical_Album_2005_CD2.part4.rar

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James Gang - Rides Again [SHM-CD]

James Gang - Rides Again [SHM-CD]
EAC FLAC IMG | CUE & LOG | 253MB RAR'D - 3 % RECOVERY | RS LINKS
ALL SCANS INCLUDED
Originally Released In 1970, SHM-CD Release - 2009

With their second album Rides Again, the James Gang came into their own. Under the direction of guitarist Joe Walsh, the group - now featuring bassist Dale Peters - began incorporating keyboards into their hard rock, which helped open up their musical horizons. For much of the first side of Rides Again, the group tear through a bunch of boogie numbers, most notably the heavy groove of "Funk #49." On the second side, the James Gang departs from their trademark sound, adding keyboard flourishes and elements of country-rock to their hard rock. Walsh's songwriting had improved, giving the band solid support for their stylistic experiments. What ties the two sides of the record together is the strength of the band's musicianship, which burns brightly and powerfully on the hardest rockers, as well as on the sensitive ballads. -allmusic

Joe Walsh is one of the most underappreciated musicians in rock music. Whether it be his work with The James Gang, The Eagles or solo work, he consistently makes quality and inspiring rock music. He may have been at his best with this Ohio-based band and Rides On is their finest effort. The album kicks off with a rock classic, the manic "Funk #49" which has a great riff. "The Bomber" shows off Mr. Walsh's guitar prowess with some wicked slide work. The first five tracks are classic arena rock, but the band shows there diversity with the second five tracks that form a song suite of sorts. They are more in the country-rock vein and show a softer side as opposed to the heaviness of the first five tracks. The James Gang never achieved the commercial success they deserved, but Rides Again is a great place to start to get an idea of the quality of this group.

Tracks
01.) Funk #49 [4:06]
02.) Asshton Park [1:51]
03.) Woman [4:38]
04.) The Bomber [7:04]
05.) Tend My Garden [5:39]
06.) Garden Gate [1:41]
07.) There I Go Again [2:50]
08.) Thanks [2:20]
09.) Ashes The Rain And I [4:58]


Links:
Part #1
Part #2
Part #3


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Patricia Barber - Modern Cool (MFSL DSD UDSACD 2003)

Patricia Barber - Modern Cool (MFSL DSD UDSACD 2003)
Wav | Cue + Log | 735 MB | No Covers | 1998

Chicago pianist and vocalist Patricia Barber is making lots of ears burn. Her torch song touch speaks volumes to jazz vocal fanatics, but she has an adventuresome side that speaks likewise to fans of woollier jazz. Barber's vocal delivery is swaggering and burnished, always angling against oddball time signatures and often dropping weird lyrical science. From e.e. cummings poems, Barber moves into prescient observations on our society: "For company in the 21st century," she sings, "I go to the club, talk through the show / I'm so hip there's nothing about jazz / That I don't know." Trumpeter Dave Douglas and guitarist John McLean add a sharp edge, and the Choral Thunder Vocal Choir give Modern Cool soul-drenched dynamics that push the CD into the realm of instant classics.

Touch Of Trash
Winter
You & The Night & The Music
Constantinople
Light My Fire
Silent Partner
Company
Let It Rain
She's A Lady
Love, Put On Your Faces
Postmodern Blues
Let It Rain
Vamp

 

Links:

Part 01
Part 02
Part 03
Part 04
Part 05

 

 

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Sloppy Seconds - Destroyed (1989) [1994 Reissue with bonus track]

Sloppy Seconds - Destroyed [Reissue with bonus track]
Year: 1989/1994 Metal Blade Records | CD#: 3984-14036-2 | File-host: RS.com
FLAC-image + Mp3 @320 CBR | Complete Artwork (600dpi) | WinRAR Recovery 5%
Junk-Rock | CD-length 41:43 | 297 MB (FLAC) | 96 MB (Mp3)

EAC Secure-rip + LOG + CUE | Source: my CD-collection

“

"Destroyed" is possibly THE greatest pop punk record of all times! With infectiously catchy Ramones-style songs and lyrics about porn, beer and junk food, this album is a true CLASSIC. [Toxxy]

”

“

Destroyed is the second studio album by punk band Sloppy Seconds. It was released in 1989 on Musical Tragedies/Toxic Shock. The album cover is a parody of the Kiss album Destroyer from 1976.

”

Toxxy sez: There's so many TOTALLY, GREAT songs on this album - the first 12 tracks are simply all killers! - with lyrics there are so goddamn f*ckin' cool and I cannot choose one, two, three etc. favorites, but... "Blackmail" could be my No.1 junk-rock song on "Destroyed". The guitar and bass simply click in absolute "awesomeness", Steve's druming is so infectious that I can't help but "air-drum" along!, and B.A.'s yells is just so...in place, in there, up there, f*ckin' everywhere! And the lyrics...a masterful brain brought us these legendary lines...:

"Sloppy Seconds - Blackmail"

Well, your father's in Bermuda
And the milkman's overjoyed
Your maid is into bondage
And I've got Polaroids

And I was on the corner
When you wrecked your mother's Porsche
But why should I inform her
About your poor misfortune?

'Cause everyone has secrets
But sometimes you get caught
So if it's just between us
My silence can be bought
Blackmail... blackmail

I was looking through your closet
When I found your water bong
Your stash of Turkish hash
And a twelve-inch rubber dong

And I won't tell your family
About your last abortion
So you can call it "bribery"
But I prefer "extortion"

Well, my counselor is a dealer
And the football coach is queer
The school nurse and the dean of boys
Are having an affair

And someone shot the rent-a-cop
And I'm the only witness
But I won't tell you who it was
'Cause it's none of your business


SLOPPY SECONDS and JUNK-ROCK RULES!

Band line-up:

B.A. - vocals, voices, yells, producer
Steve Sloppy - drums, producer
Bo'Ba Jam - bass, producer
Dr. Roadkill - guitar, producer

Additional musicians:

Rob Perkins - background vocals, photography, road crew
Paul Bohall - background vocals, road crew
Craig "R.V." Croomes - background vocals
Jeff Masengale - background vocals, photography
Scott Turns - background vocals, road crew

...and a few others.


Sloppy Seconds at Wikipedia

Sloppy Seconds at MySpace

“

Calling this a Masterpiece is an understatement! This is possibly the greatest pop punk record of all times, “Destroyed”. The album was originally released in ’89 by legendary punk label Toxic Shock. No collection is complete without this record! This band’s producing demented, adolescent humor and actually less-than-stupid idiot rock. More often than not, these junk-culture-worshipping couch potatoes come up with hearty guffaw-inducing songs like I don’t wanna be a homosexual, Janie is a nazy and I want ‘em dead. For diehard Ramones fans: Sloppy Seconds write songs that are actually a bit more lyrically complicated than the Ramones, but are from the same loser, pseudo-half-wit perspective. The song Serious, co-written by Lukather, is also on the Alice Cooper album From the inside. Their first full-length release, and perhaps their all-time classic album, with such memorable Sloppy hits as “I Don’t Wanna Be A Homosexual”, “Come Back Traci”, “Germany” and their incredible version of John Denver’s “Leaving On A Jet Plane”. This was the first co-release between MT and Toxic Shock. A vinyl version of the LP was also available on Toxic Shock only. The cover is a great parody of the famous Kiss “Destroyer” album cover. Also, on the inside of the CD is a picture of two of the Sloppy guys with Ace Frehley of Kiss, who is holding the Sloppy Seconds album cover! Cool! [unknown reviewer]

”

Track List:

1. I Don't Want To Be A Homosexual (5:05)
2. Come Back Traci (2:04)
3. Take You Home (1:24)
4. Black Roses (2:22)
5. Runnin' From The CIA (2:01)
6. The Horror Of Party Beach (2:09)
7. Blackmail (2:49)
8. So Fucked Up (2:34)
9. Germany (2:19)
10. Janie Is A Nazi (2:37)
11. I Want 'em Dead (3:33)
12. If I Had A Woman (2:53)
13. Veronica (2:42)
14. The Candy Man (1:34)
15. Steal Your Beer (1:40)
16. Time Bomb (1:42)
17. Serious [bonus track] (2:15)

“

For me, music can be a seasonal thing. Sometimes the bands are seasonal for a reason. For example, I rarely listen to heavy doses of AFI or the Misfits outside of the fall times (though select cuts like “Bullet” can put a smile on my face at any point during the year). Conversely, during summer time I play way more of your pop-punk standards like Snuff (I got their album Demmamussabebonk the first time I went to Hawaii and it will always remind me of that trip), the Queers, Screeching Weasel, and the Lillingtons. Many of these bands are getting back together and releasing records again and touring, so I figured that I’d share an under appreciated pop-punk band who fits in nicely with any of these pop-punk summer bands: Sloppy Seconds. I first became aware of Sloppy Seconds long ago when I purchased the Nitro Records comp, Deep Thoughts. I really liked the two Sloppy Seconds songs on the album, but always forgot to buy their CDs. About a month ago a friend of mine burned me a copy of their first album Destroyed (calm down, I bought a copy online soon thereafter). Since then I have been tapping my feet and singing along to a pop-punk classic. Like the aforementioned Queers and Screeching Weasel, Sloppy Seconds play Ramones-influenced punk rock. Where they stand out from their peers is in the unique vocal styling of frontman B.A (I shall attempt to describe his voice as Johnny Rotten mixed with John Fogerty) and their tongue-in-cheek lyrics. Hell, the whole album is tongue-in-cheek as the cover art is a spoof of the KISS album, Destroyer. For an example of their band‘s sense of humor, the first track is entitled “I Don’t Wanna Be a Homosexual,” yet starts off with a sampling of a John Waters film and then goes straight into a nice pro-gay song. Just as the Clash wrote about what they saw going on around them, Sloppy Seconds deal with their immediate world as well, which consists of porn (there is a touching tribute to `80s porn queen Traci Lords in “Come Back Traci“), strippers, B-rated horror movies, girls, comic books, and partying. Some of my favorite tracks include “I Want ‘Em Dead,“ “I’m Tired of Running from the CIA” which features the classic hook line, “Mars needs women but Mars can wait, cuz I ain’t goin’ to masturbate!” and the song “Blackmail.” The track “So Fucked Up” sounds like it could have influenced the illustrious Andrew W.K. as it is a song about partying hard and the chorus consists of gang vocals shouting “so fucked up!” Also, since the band claims to have derived their name from playing covers, the album features a sweet cover of “Leavin’ on a Jet Plane” that puts Me First and Gimme Gimmes' rendition to shame. However, their cover of the song “The Candy Man,” while amusing on the first listen, quickly becomes a throwaway track. As with any band of this genre, the album has over 21 songs which gets to be a bit too much. Yet, since the songs are so damn fun it doesn’t really matter. Now that the sun is out here in northern California and Spring has officially hit, it is time to dust off those fun summer records. Destroyed by Sloppy Seconds is a great album and a much overlooked piece of pop-punk music that any fan of the genre will love, and will definitely come to be part of my seasonal summer rotation. [Punknews.org]

”

GRAB THIS MONSTER RIGHT NOW!

FLAC-image:
Part 1
Part 2
Part 3
Part 4

Mp3 @320 CBR:
Download

Complete scanned artwork (600dpi):
Download


5% WinRar Recovery Record for ALL files.

No password to any of the files.

Enjoy the tunes...PLAY LOUD and OFTEN! ;-)

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Chet Baker and Art Pepper - The Route (1956)

Chet Baker and Art Pepper - The Route (1956)

MP3 | 320kbps | Covers | RS.com | 124mb

Genre: Jazz / cool, West Coast

Recording Date: July 26, 1956 | Venue: Forum Theatre, Los Angeles

Time: 52:28 | Label: Pacific Jazz

Allmusic.com:
This 1989 CD issue compiles all known sides cut during a July 26, 1956, session led by Chet Baker (trumpet) and Art Pepper (alto sax). Keen-eyed enthusiasts will note that this particular date occurred during a remarkable week -- July 23 through July 31 -- of sessions held at the behest of Pacific Jazz label owner and session producer Dick Bock at the Forum Theater in Los Angeles. The recordings made during this week not only form The Route, but three other long-players as well: Lets Get Lost (The Best of Chet Baker Sings), Chet Baker and Crew, and Chet Baker Quintet at the Forum Theatre. Likewise, these were the first sides cut by Baker since returning from his triumphant and extended stay in Europe. The Route compiles all 11 tracks by the sextet featuring Richie Kamuca (tenor sax), Pete Jolly (piano), Leroy Vinnegar (bass), and Stan Levey (drums) in support of Baker and Pepper. Bock had no immediate plans to use these recordings for any one album; that is to say he incorporated the tracks throughout various compilations released on Pacific Jazz. Three months later, however, Baker and Pepper did record with completely different personnel for the expressed purpose of issuing what would become known as Playboys and alternately Picture of Heath. Perhaps encouraged by the swinging interaction on Pepper's "Tynan Time" and "Minor Yours," both tracks were featured at this session as well as during the Picture of Heath collaboration. There are a few unexpected moments of sheer brilliance spread throughout, such as the Baker-penned title track, which contains supple and nicely contrasting solos from Kamuca and Vinnegar -- whose solid pendulum accuracy swings all through this collection. The Route is recommended for completists as well as curious consumers wishing to expand their knowledge of the light and airy rhythms that typify the cool West Coast jazz scene of the mid-'50s.

Personnel:
Chet Baker, trumpet
Art Pepper, alto sax
Pete Jolly, piano
Richie Kamuca, tenor sax
Stan Levey, drums
Leroy Vinnegar, bass

Tracks:
1. Tynan Time (Pepper) 6:18
2. The Route (Baker) 5:04
3. Sonny Boy (Brown, DeSylva, Henderson) 3:55
4. Minor Yours (Pepper) 7:11
5. Little Girl (Henry, Hyde) 4:14
6. Ol' Croix (Pepper) 5:27
7. I Can't Give You Anything But Love (Fields, McHugh) 4:07
8. The Great Lie (Calloway, Gibson) 4:16
9. Sweet Lorraine (Burwell, Parish) 3:08
10. If I Should Love You (Rainger, Robin) 4:18
11. Younger Than Springtime (Hammerstein, Rodgers) 4:30

 

Links:

Part 1
Part 2 

 

 

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Wayne Shorter - Native Dancer (featuring Milton Nascimento) [1975]

Wayne Shorter - Native Dancer (featuring Milton Nascimento)
FLAC (EAC log) | Individual tracks (no CUE) | 133+114 mb | MP3 @ 320 KBPS | ~96 MB
Genre: Jazz, Fusion, World, Brazilian | Label: Columbia Legacy (2-046159) | Year of Release: 1975

“

[...] One of Shorter's best-selling albums from the 1970s was Native Dancer, a Brazilian-oriented jazz-fusion masterpiece that boasts Herbie Hancock on acoustic piano and electric keyboards, and employs such Brazilian talent as singer Milton Nascimento (a superstar in Brazil) and percussionist Airto Moreira. Everything on this melodic, consistently lyrical effort is a jewel, and that includes Hancock's "Joanna's Theme" as well as pieces by Nascimento ("From the Lonely Afternoons," "Ponta de Areia," "Tarde," "Lilia," and "Miracle of the Fishes") and by Shorter himself ("Ana Maria," "Beauty and the Beast," and "Diana"). Reissued on CD by Columbia in 1990, Native Dancer is clearly among Shorter's most essential albums.

”

Alex Henderson, All Music

The Music:
1 Ponta de Areia (Nascimento) 5:18
2 Beauty and the Beast (Shorter) 5:04
3 Tarde (Brandt, Nascimento) 5:49
4 Miracle of the Fishes (Brandt, Nascimento) 4:48
5 Diana (Shorter) 3:04
6 From the Lonely Afternoons (Brandt, Nascimento) 3:15
7 Ana Maria (Shorter) 5:10
8 Lilia (Nascimento) 7:03
9 Joanna's Theme (Hancock) 4:17

The Players:
Wayne Shorter - Tenor and soprano saxophone
Milton Nascimento - Vocals, Guitar
Herbie Hancock - Keyboards, Piano
Airto Moreira - Percussion
Dave McDaniel - Bass
Roberto (Robertinho) Silva - Drums
Wagner Tiso Organ, Piano
Jay Graydon - Guitar
David Amaro - Guitar

Produced by: Jim Price
Engineered by: Rob Fraboni
Recorded 12 Sep 1974 at Village Recorders, Los Angeles
Released 1975 by Columbia/EMI/CBS (EMC 8028)
remastered version relased on CD by Sony as part of the 'Columbia Jazz Contemporary Masters' series
Columbia Legacy 2-046159



The Links:
FLAC Part1
FLAC Part2

mp3 @ 320

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Whitesnake - Whitesnake (SHM-CD)

Whitesnake - Whitesnake (SHM-CD)
FLAC | Rock | appr. 324 MB
Source: The Eternal Hunting Grounds | EAC, log, cue, covers
2008 (Originally released 1987) | Label: Universal Music

“

When Whitesnake broke into the spotlight with Slide It In (1984), a battalion of cynical critics predicted the band's success couldn't last, but Coverdale and company silenced all the naysayers with 1987's self-titled album, which rocketed to No. 2 on the Billboard album chart. The record was driven by the pumping rocker "Here I Go Again" and the tender power ballad "Is This Love," but the band's mainstream appeal might have had as much to do with their unabashedly sexual videos as with their bubblegum metal. The clips, which seemed to splash across MTV every 20 minutes, starred Coverdale's girlfriend and B-movie actress Tawny Kitaen, and highlighted her busty, scantily clad body in various provocative poses. Volume and T&A--a metalhead's wet dream.

”

Track List:
1. CRYING IN THE RAIN
2. BAD BOYS
3. STILL OF THE NIGHT
4. HERE I GO AGAIN
5. GIVE ME ALL YOUR LOVE
6. IS THIS LOVE
7. CHILDREN OF THE NIGHT
8. STRAIGHT FOR THE HEART
9. DON'T TURN AWAY


Links:
Part 1
Part 2
Part 3
Part 4

password: tednewman


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Joan Baez - David's Album (1969)

Joan Baez - David's Album (1969)
FLAC | Cue + Log | 206 MB | Covers
[ORIGINAL RECORDING REMASTERED 2005]
Ripped & sended to me by our friend snoop26 (thanks a million buddy)

Recorded in 1968 at the Same Sessions as "Any Day Now" but Not Released Until Six Months Later, "David's Album" was Joan's Eleventh Album. Dedicated to Joan's Then-husband David Harris, and was Regarded as One of her More Successful Albums of Country-orientated Material. Includes Two Bonus Tracks - Both Previously Unreleased - a Live Version of 'how Can I Miss You' and a Studio Recording of 'the Last Thing on My Mind'


1. If I Knew
2. Rock Salt And Nails
3. Glad Bluebird Of Hapiness
4. Green, Green Grass Of Home
5. Will The Cirlce Be Unbroken
6. The Tramp On The Street
7. Poor Wayfaring Stranger
8. Just A Closer Walk With Thee
9. Hickory Wind
10. My Home's Across The Blue Ridge Mountains
11. How Can I Miss You
12. The Last Thing On My Mind



Links:

Part 01
Part 02
Part 03

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Robert Cray - I Was Warned 1992

Robert Cray - I Was Warned
Wv (+CUE+Log)+Covers | 325 Mb | Mp3 CBR - 320 kbps | 115 Mb
Blues; Blues - Soul

“

Underestimating Robert Cray is a real danger. He's so good at what he does – singing, writing and especially playing – that his albums have an effortless feel, as if it's easy to turn out soul-baring performances year after year. But his catalog packs a mighty punch, growing richer in time. On his new album, I Was Warned, Cray's out there telling the truth again, as strong as ever. Working mainly in a Stax/Volt groove, with the Memphis Horns aboard once more, Cray examines broken relationships and seeks definition as a man. He may mourn that he's "Just a Loser," as on the opening track, but that's an atypical observation. Cray is given to taking hard looks at himself with confessional bluntness. But as he chronicles his faults and the endless quest to do the right thing, he comes to understand his strengths as well. In "The Price I Pay," for example, he sounds weary of bearing the burden of unreciprocated love, but the song's lilting arrangement and Cray's own singsong guitar solo hint at something positive coming out of this trial. That life goes on is an overriding theme of I Was Warned, and nowhere is it better explored than on three consecutive songs near the end of the disc: "A Whole Lotta Pride," "A Picture of a Broken Heart" and the devastating "He Don't Live Here Anymore." Cray's soloing is superb throughout, from the popping, angular lines enlivening "I'm a Good Man" to the complex, multitextured workout on the title track; it's most revealing of the inner man, however, on "He Don't Live Here Anymore." This one's for the ages, an auspicious moment on an album rife with commanding performances. DAVID MCGEE

”

Label Mercury
Orig Year 1992
Catalog number 512721-2
Studio/Live Studio
Mono/Stereo Stereo
Producer Dennis Walker
Engineer Steve Savage
Recording Time 49 minutes

Robert Cray Band:
Robert Cray (vocals, guitar);
Tim Kaihatsu (guitar);
Jim Pugh (keyboards);
Karl Sevareid (bass);
Kevin Hayes (drums).

Tracks:
1. Robert Cray - Just A Loser (4:26)
2. Robert Cray - I'm A Good Man (4:16)
3. Robert Cray - I Was Warned (7:16)
4. Robert Cray - The Price I Pay (5:05)
5. Robert Cray - Won The Battle (3:50)
6. Robert Cray - On The Road Down (4:01)
7. Robert Cray - A Whole Lotta Pride (4:39)
8. Robert Cray - A Picture Of A Broken Heart (5:26)
9. Robert Cray - He Don't Live Here Anymore (5:15)
10. Robert Cray - Our Last Time (5:09)

 

 

Listen to samples

Lossless:
Part1
Part2
Part3
Part4

Mp3:
Part1
Part2

Covers:
Download

 

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Husky Rescue - Country Falls

Husky Rescue - Country Falls
MP3 | 192kbps | 78MB | Host: RS | Type: LP
Genre: Chillout/Downtempo | Release: 2004 | Label: Catskills records

The initial gentle slide guitar invokes memories of Pink Floyd's "A Pillow of Winds" from their classic album Meddle, but as the gentle, wispy vocals of Reeta Korhola make their entrance, so end the comparisons between Floyd's sorely overlooked ballad and Country Falls' opener, "Sweet Little Kitten." With a slew of EPs and singles released in 2004 on Catskills, Helsinki-based Husky Rescue quietly established their little place on the mantle next to Air, Stereolab, and Architecture in Helsinki (the latter band Finnish in name only). However, unlike the aforementioned bands, the group places an emphasis on the laid-back elements of country & western motifs in place of vibrant analog synths and chic, stylish lyrics. While the results are not groundbreaking, Husky Rescue have crafted a slow, lazy record that is ideal for background listening and relaxing from start to finish.

Tracks
1. "Sweet Little Kitten" – 4:45
2. "Summertime Cowboy" – 4:06
3. "New Light of Tomorrow" – 4:52
4. "Sunset Drive" – 3:59
5. "My World" – 4:50
6. "City Lights" – 4:25
7. "Gasoline Girl" – 4:13
8. "Rainbow Flows" – 5:52
9. "Sleep Tight Tiger" – 4:37
10. "Mean Street" – 6:45
11. "Good Man" – 7:52
12. "Man Who Flew Away" – 1:33


>>DOWNLOAD<<

Pass: avaxfriend

 

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Fritz Kreisler - Hall of Fame (2002)

Fritz Kreisler - Hall of Fame (2002)
Classical | EAC rip | Monkey's Audio v4.05 | APE+CUE+LOG | covers scans | 5 CDs | AG 220042-220046 | 1086.4 MB
TT: 65’32” + 60’14” + 46’59” + 63’46” + 63’38” | TIM The International Music Company

“

Violinist Fritz Kreisler was one of the most beloved and best known of early recording era musicians. His burnished tone and patrician phrasing were quintessentially Viennese, and the warmth of his playing won him devoted followers wherever he appeared. So great was his fame and the affection in which he was held that he survived a blaze of controversy when he revealed in 1935 that many of the short pieces he had performed as transcriptions of such composers as Couperin, Vivaldi, and Pugnani were, in fact, his own work. While the critics fumed, the public expressed little concern and continued to pack his concert appearances. ~ allmusic.com

”

“

Fritz Kreisler (February 2, 1875 – January 29, 1962) was an Austrian-born violinist and composer; one of the most famous violinists of his day. He is noted for his sweet tone and expressive phrasing. Like many great violinists of his generation, he produced a characteristic sound, which was immediately recognizable as his own. Although he was a violinist of the Franco-Belgian school, his style is nonetheless reminiscent of the gemütlich (cozy) lifestyle of pre-war Vienna. Kreisler's personal style of playing on record bears a resemblance to Mischa Elman with a tendency towards expansive tempi, a continuous and varied vibrato, remarkably expressive phrasing, and a melodic approach to passage work. Kreisler employs considerable use of portamento and rubato. However considerable performance contrasts exist between Kreisler and Mischa Elman on the shared standard repertoire with the concerto of Felix Mendelssohn serving as one example. He performed and recorded his own version of the Paganini D major violin concerto-first movement. This version is rescored and in some places reharmonised. The orchestral introduction is completely rewritten in some places. The overall effect is of a late nineteenth century work. ~ Wikipedia

”

Contents

1. Violin Concerto In D Major Op.61, Recorded In 1926 (Ludwig Van Beethoven)
2. Sonata For Piano And Violin In A Major Op.30/1, Franz Rupp, Piano, Recorded in 1936
3. Concerto For Violin And String Orchestra In C Major (In The Style Of Vivaldi), recorded In 1945 (Fritz Kreisler)
4. String Quartet in A Minor, Recorded In 1935
5. Caprice Viennois Op.2, Franz Rupp, Piano, Recorded in 1936
6. Tambourin Chinois Op.3, Franz Rupp, Piano, Recorded in 1936
7. Schon Rosmarin, Franz Rupp, Piano, Recorded in 1938
8. La Gitana, Franz Rupp, Piano, Recorded in 1938
9. Liebesleid, Franz Rupp, Piano, Recorded in 1938
10. Polichinelle, Michael Raucheisen, Piano, Recorded in 1930
11. Violin Concerto in E Minor Op.64, Recorded in 1926 (Felix Mendelssohn Bartholdy)
12. Lieder Ohne Worte, Op.62/1, Arpad Sandor, Piano, Recorded in 1926
13. Double Concerto In D Minor Bwv 1043, Recorded in 1915 (Johann Sebastian Bach)
14. Sonata For Solo Violin No.1 In G Minor Bwv 1001 (Excerpt), Recorded in 1926
15. Violin Concerto in D Major Op.77/ London Philharmonic Symphony Orch., John Barbirolli, recorded in 1936 (Johannes Brahms)
16. Violin Concerto No.4 in D Major K.218/ London Philharmonic Orch., Malcolm Sargent, recorded in 1939 (Wolfgang Amadeus Mozart)
17. Violin Concerto No.1 in D Major Op.6 (Excerpt), Recorded in 1938 (Nicolo Paganini)
18. Sonata For Piano And Violin in A Major D.574, Sergey Rachmaninov, piano, recorded in 1928 (Franz Schubert)
19. Romance In A Major Op.94/2 (Arr. Kreisler), Michael Raucheisen, piano, recorded in 1927 (Robert Schumann)
20. Sonata For Piano And Violin No.3 in C Minor Op.45, Michael Raucheisen, piano, recorded in 1928 (Edvard Hagerup Grieg)

Track Listings

CD 1

CD 2

CD 3

CD 4

CD 5

Product Details
Audio CD (2002)
Number of Discs: 5
TIM The International Music Company
AG 220042-220046



Download link
Password: Vienna

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The Mahavishnu Orchestra - The Inner Mounting Flame [Speakers Corner 180g LP] 24-bit/96kHz

The Mahavishnu Orchestra feat. John McLaughlin - The Inner Mounting Flame
Speakers Corner 180g LP / Columbia PC 31067
Mastered by Maarten de Boer@ EBS, Hannover
Viny rip in 24-bit/96kHz | FLAC (cue, m3u, Log) | Artwork
~980 mb incl recovery | RS & Enteruplod | Jazz, Fusion | 1972

Allmusic.com rating: 5 out of 5 Stars Review!

“

Speakers Corner’s 180g reissue is slightly thicker and richer sounding than the thin, bass shy original. A case could be made for either one being superior but ultimately I think the reissue wins for its improved bottom end, greater three-dimensionality and overall harmonic completeness. It even comes with a reproduction of the original’s insert. Like the sonic comparison, the reissue’s insert is thicker and more vibrant than the original. Excerpt from Michael Fremer's review

”

This is the album that made John McLaughlin a semi-household name, a furious, high-energy, yet rigorously conceived meeting of virtuosos that, for all intents and purposes, defined the fusion of jazz and rock a year after Miles Davis' Bitches Brew breakthrough. It also inadvertently led to the derogatory connotation of the word fusion, for it paved the way for an army of imitators, many of whose excesses and commercial panderings devalued the entire movement.
Though much was made of the influence of jazz-influenced improvisation in the Mahavishnu band, it is the rock element that predominates, stemming directly from the electronic innovations of Jimi Hendrix. The improvisations, particularly McLaughlin's post-Hendrix machine-gun assaults on double-necked electric guitar and Jerry Goodman's flights on electric violin, owe more to the freakouts that had been circulating in progressive rock circles than to jazz, based as they often are on ostinatos on one chord.
These still sound genuinely thrilling today, as McLaughlin and Goodman battle Jan Hammer's keyboards, Rick Laird's bass, and especially Billy Cobham's hard-charging drums, whose jazz-trained technique pushed the envelope for all rock drummers. What doesn't date so well are the composed medium- and high-velocity unison passages that are played in such tight lockstep that they can't breathe. There is also time out for quieter, reflective numbers that are drenched in studied spirituality ("A Lotus on Irish Streams") or irony ("You Know You Know"); McLaughlin was to do better in that department with less-driven colleagues elsewhere in his career.
Aimed with absolute precision at young rock fans, this record was wildly popular in its day, and it may have been the cause of more blown-out home amplifiers than any other record this side of Deep Purple.

Track listing

All tracks composed by John McLaughlin.

Side A:

"Meeting of the Spirits" – 6:52 "Dawn" – 5:10 "Noonward Race" – 6:28 "A Lotus on Irish Streams" – 5:39

Side B:

"Vital Transformation" – 6:16 "The Dance of Maya" – 7:17 "You Know You Know" – 5:07 "Awakening" – 3:32

Personnel

John McLaughlin: guitar Rick Laird: bass Billy Cobham: drums, percussion Jan Hammer: keyboards, organ Jerry Goodman: violin Don Puluse: engineer

Links: (Enterupload) Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Links: (RS.com) Part 1 | Part 2 | Part 3 | Part 4 | Part 5


Enjoy!!!

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Chet Baker – Comin’ On With The Chet Baker Quintet (1965) (Remastered)

Chet Baker – Comin’ On With The Chet Baker Quintet (1965) (Remastered)

MP3 | 320kbps | Covers & Scans | RS.com | 102mb

Genre: Jazz/ cool, West Coast

Recording Date: Aug 23-25, 1965 | Time: 40:49 | Label: Prestige/OJC

In 1964, trumpeter Chet Baker returned to the United States after five sometimes-traumatic years spent overseas (which included a long stay in an Italian jail for drug abuse). Baker recorded prolifically during his first 14 months back in the States, including a set for Colpix, two records for Limelight, and, in a busy three-day period, five albums for Prestige titled Groovin', Comin' On, Cool Burnin', Smokin', and Boppin' With the Chet Baker Quintet…

Chetbakertribute.com:
For 3 amazing days in August, 1965, Chet laid down 32 tracks for Prestige. He's backed by an experienced band featuring George Coleman (who played in Miles Davis' band) on Tenor Sax. Baker does surprising well, considering he's working with unfamiliar musicians and mostly original material , lots of hard-bop tunes penned by Richard Carpenter and Tadd Dameron. The LP titles (Groovin', Comin' On, Cool Burnin', Smokin' and Boppin') and art work were a blatant rip-off of similarly-packaged Miles Davis recordings, such as Walkin' and Workin'. This would be Chet's last great studio work until his 1974 comeback.

Personnel:
Chet Baker, fluegelhorn
George Coleman, tenor saxophone
Kirk Lightsey, piano
Herman Wright, bass
Roy Brooks, drums

Tracks:
1. Comin’ On (5:39)
2. Stairway To The Stars (4:42)
3. No Fair Lady (8:10)
4. When You’re Gone (4:04)
5. Choose Now (5:47)
6. Chabootie (5:53)
7. Carpsie’s Groove (6:34)

Link:

File 

 

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Pink Floyd - The Division Bell (Japan Cardboard Sleeve MHCP-688 Initial Press)

Pink Floyd - The Division Bell (Japan Cardboard Sleeve MHCP-688 Initial Press) (JP 2005)
2005 | FLAC | EAC, LOG & CUE | 360dpi Artwork Scans | 423 MB

MD5 [] FFP [] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

Extraction Log:

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC Auslese-Logdatei vom 26. März 2008, 16:38

Pink Floyd / The Division Bell (Japan Cardboard Sleeve MHCP-688 First Press)

Benutztes Laufwerk : HL-DT-STDVDRAM GSA-H12L Adapter: 0 ID: 1

Lesemodus : Sicher
Benutze Accurate Stream : Ja
Audio Puffer abgeschaltet : Nein
Benutze C2 Fehlerinformationen : Nein

Leseoffset Korrektur : 667
Überlesen in das Lead-In und Lead-Out : Nein
Fülle fehlende Offsetsample mit Stille auf : Ja
Lösche führende und nachfolgende stille Blöcke : Nein
Null Samples gehen in CRC Berechnungen ein : Ja
Benutzte Schnittstelle : Natürliche Win32 Schnittstelle für Win NT/2000/XP
Pausenbehandlung : Hinter dem vorigen Track angehängt

Benutztes Ausgabeformat : Interne WAV Routinen
Sampleformat : 44.100 Hz; 16 Bit; Stereo


TOC der ausgelesenen CD

Track | Start | Länge | Startsektor | Endsektor
-------------------------------------------------------
1 | 0:00.00 | 5:57.60 | 0 | 26834
2 | 5:57.60 | 4:21.60 | 26835 | 46469
3 | 10:19.45 | 7:04.30 | 46470 | 78299
4 | 17:24.00 | 5:28.17 | 78300 | 102916
5 | 22:52.17 | 4:18.40 | 102917 | 122306
6 | 27:10.57 | 6:49.53 | 122307 | 153034
7 | 34:00.35 | 6:12.15 | 153035 | 180949
8 | 40:12.50 | 6:19.42 | 180950 | 209416
9 | 46:32.17 | 6:11.17 | 209417 | 237258
10 | 52:43.34 | 5:14.56 | 237259 | 260864
11 | 57:58.15 | 8:33.30 | 260865 | 299369


Track 1

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\01 Cluster One.wav

Pausenlänge 0:00:02.00

Spitzenpegel 76.6 %
Track Qualität 100.0 %
Test CRC C59EFBAE
Kopie CRC C59EFBAE
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 2

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\02 What Do You Want From Me.wav

Spitzenpegel 93.5 %
Track Qualität 100.0 %
Test CRC 2A397DB9
Kopie CRC 2A397DB9
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 3

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\03 Poles Apart.wav

Spitzenpegel 99.0 %
Track Qualität 99.9 %
Test CRC D2D7EC20
Kopie CRC D2D7EC20
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 4

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\04 Marooned.wav

Spitzenpegel 83.9 %
Track Qualität 100.0 %
Test CRC DDF7DF2C
Kopie CRC DDF7DF2C
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 5

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\05 A Great Day For Freedom.wav

Spitzenpegel 83.9 %
Track Qualität 100.0 %
Test CRC BC1BFD9D
Kopie CRC BC1BFD9D
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 6

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\06 Wearing The Inside Out.wav

Spitzenpegel 81.8 %
Track Qualität 100.0 %
Test CRC 3A5119D8
Kopie CRC 3A5119D8
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 7

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\07 Take It Back.wav

Spitzenpegel 100.0 %
Track Qualität 100.0 %
Test CRC D777E2B4
Kopie CRC D777E2B4
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 8

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\08 Coming Back To Life.wav

Spitzenpegel 100.0 %
Track Qualität 99.9 %
Test CRC FCC86D78
Kopie CRC FCC86D78
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 9

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\09 Keep Talking.wav

Spitzenpegel 100.0 %
Track Qualität 99.9 %
Test CRC D427213D
Kopie CRC D427213D
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 10

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\10 Lost For Words.wav

Spitzenpegel 100.0 %
Track Qualität 100.0 %
Test CRC 2ABDAC4D
Kopie CRC 2ABDAC4D
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK

Track 11

Dateiname V:\INCOMING\LOSSLESS\ZZZ-EAC\11 High Hopes.wav

Spitzenpegel 100.0 %
Track Qualität 99.9 %
Test CRC 015007A0
Kopie CRC 015007A0
Track ist nicht enthalten in der AccurateRip Datenbank
Kopie OK


Keiner der Tracks ist in der AccurateRip Datenbank vorhanden

Keine Fehler aufgetreten

Ende des Statusreports

CD Info:

Pink Floyd - The Division Bell

Label: Sony Music Direct (Japan) Inc.
Catalog#: MHCP 688
Format: CD, Album, Remastered, Limited Edition
Country: Japan
Released: 18 May 2005
Genre: Rock
Style: Prog Rock, Classic Rock
Notes: This is the 2005 japanese digital remaster, which was a limited run and is now out of print. The release is part of the "mini LP" series, where everything has been faithfully reproduced to mimic the original LP release, but in a CD format. For 'The Division Bell', this includes: the gatefold cover with an exact reproduction of the LP's inner sleeve and side a and b record centers. There is also a paper insert in both English and Japanese. The whole package comes in a resealable plastic sleeve with a paper OBI inside as well as an additional OBI sticker on the plastic cover. In the case of this particular release, the reproduction quality and mastering is outstanding and matches beautifully with the other Sony Direct Pink Floyd mini LP releases.


Tracklisting:
1 Cluster One (5:58)
2 What Do You Want From Me (4:21)
3 Poles Apart (7:04)
4 Marooned (5:28)
5 A Great Day For Freedom (4:18)
6 Wearing The Inside Out (6:48)
7 Take It Back (6:12)
8 Coming Back To Life (6:19)
9 Keep Talking (6:11)
10 Lost For Words (5:14)
11 High Hopes (7:58)

Band Info:

Pink Floyd are an English rock band who initially earned recognition for their psychedelic and space rock music, and later, as they evolved, for their progressive rock music. Pink Floyd are known for philosophical lyrics, sonic experimentation, innovative album cover art, and elaborate live shows. One of rock music's most successful acts, the group have sold over 210 million albums worldwide[1][2][3] including 74.5 million albums in the United States.[4] Pink Floyd influenced progressive rock artists of the 1970s such as Genesis and Yes,[5] as well as contemporary artists such as Nine Inch Nails,[6]Dream Theater,[7] and Porcupine Tree.

Pink Floyd were formed in London in 1965 when Syd Barrett moved down from Cambridge and joined The Tea Set, a group consisting of Regent Street Polytechnic architecture students Nick Mason, Roger Waters, Richard Wright and Bob Klose.[8] The group had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett. However, Barrett's erratic behaviour eventually led his colleagues to replace him with guitarist and singer David Gilmour. After Barrett's departure, singer and bass player Roger Waters became a dominant force in the group, a situation which developed through the late 1970s, and lasted until his departure from the group in 1985. The band had always been popular in England, though they did not achieve worldwide critical and commercial success until the concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), and Animals (1977), and the rock opera The Wall (1979).

In 1985, Waters declared Pink Floyd "a spent force", but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Waters sued them for the name and eventually they reached a settlement out of court, under which Gilmour, Mason and Wright would continue as Pink Floyd. They again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Waters performed with the band for the first time in 24 years on 2 July 2005 at the London Live 8 concert. wikipedia

Format:

Flac (Compression Level 8)

Links:

[rapidshare.com/100 MB Splits]

via secured.in

http://secured.in/download-320713-fd91aa8a.html

via stealth.to
incl. .dlc, .ccf, .rsdf

http://stealth.to/?id=qsqzzvp0semqh32yao8bdcrk4xzf2fiiwy


Password:

finest-hq-audio

If you have problems getting the links from the encrypters, please check if a pop-up is blocked or java is disabled. Both must be allowed!


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Joan Baez - Ring Them Bells (1995)

Joan Baez - Ring Them Bells
FLAC | Cue + Log | 518 MB | Covers
[ORIGINAL RECORDING REMASTERED 2007]

Ring Them Bells was a live album taken from Joan Baez' April 1995 shows at New York's Bottom Line. In addition to her own solo set, the album featured collaborations with Mary Chapin Carpenter, Mimi Farina, Dar Williams, the Indigo Girls and Mary Black. Though Baez and many of the collaborating artists were admirers of one another, this album marked the first time many of them had worked together. Baez' manager, Mark Spector, served as producer.

Disc 1

1. The Lily of the West 4:42
2. Love Song to a Stranger 4:15
3. Sweet Sir Galahad 4:10
4. And the Band Played Waltzing Matilda 5:46
5. Willie Moore 4:49
6. Swallow Song 3:09
7. Don't Make Promises 5:08
8. Jesse 4:09
9. Ring Them Bells 3:15
10. Welcome Me 4:25

Disc 2

1. Geordie 4:16
2. You Ain't Goin' Nowhere 2:37
3. Suzanne 5:02
4. You're Aging Well 4:25
5. Pajarillo Barranqueno 2:12
6. Gracias a la Vida 3:39
7. The Water is Wide 4:12
8. Don't Think Twice, It's Alright 4:18
9. Stones in the Road 4:15
10. Diamonds and Rust 5:05
11. The Night They Drove Old Dixie Down 3:40

Part 01
Part 02
Part 03
Part 04
Part 05
Part 06

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Weather Report - Heavy Weather [Mastersound SBM 1997]

Weather Report - Heavy Weather [1997 Mastersound SBM CD]
EAC wavpack | Log + Cue | No Scans | ~ 240 Mb | RS
Original 1977 | 37:39 min | Jazz Fusion

“

Weather Report reached its critical and commercial peak with Heavy Weather. No other Weather Report album received as many awards as Heavy Weather. It was recognized as jazz "album of the year" by virtually every publication that gave out such an award. It destroyed the competition in Down Beat's annual reader's poll, topping Herbie Hancock's runner-up album V.S.O.P. for album of the year by a margin of 844 to 196 votes. Likewise, Weather Report was overwhelmingly voted jazz group of the year by Down Beat's readers, receiving 1418 votes to 277 for second place Return to Forever. Heavy Weather was awarded a five-star review in Down Beat, making it the group's third consecutive five-star album (and also the last). Even the album cover art by Lou Beach was nominated for a Grammy. Heavy Weather was also Weather Report's best selling record. It reached number 30 on the Billboard pop chart, quickly sold nearly half a million copies, and has subsequently gone gold (signifying sales of 500,000 copies). In his January 2001 Down Beat retrospective on the band, Josef Woodard said, "In 2000, Heavy Weather still sounds like a milestone in the cultural unconscious of jazz history. By some accounts, the album is the crowning achievement of the band's recorded output, and therefore, by extension, a towering landmark of 'fusion." MasterSound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system.

”

EAC extraction logfile from 10. November 2005, 17:00 for CD
Weather Report / Heavy Weather(Mastersound SBM)

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End of status report

Album Details:

1. Birdland (Zawinul) 5:59
2. A Remark You Made (Zawinul) 6:52
3. Teen Town (Pastorius) 2:53
4. Harlequin (Shorter) 4:00
5. Rumba Mama (Badrena) 2:12
6. Palladium (Shorter) 4:45
7. The Juggler (Zawinul) 5:05
8. Havona (Pastorius) 6:03

Josef Zawinul: Oberheim Polyphonic synthesizer, Arp 2600 synthesizer, Rhodes electric piano, acoustic piano, vocal, melodica, guitar, tabla
Wayne Shorter: Tenor and soprano saxophone
Jaco Pastorius: Bass, mandocello, vocals, drums, steel drums
Alex Acuña: Drums, congas, tom toms, handclap
Manolo Badrena: Tambourine, congas, vocal, timbales, percussion

Jazz Album of the Year, 42nd Annual Down Beat Readers Poll
Jazz Group of the Year, 42nd Annual Down Beat Readers Poll
Record of the Year, Jazz Forum People's Poll
1977 Silver Disc Award, Swing Journal magazine.
Jazz Record of the Year, Playboy
Jazz Band of the Year, Playboy
Instrumental Group of the Year, Record World
Record of the Year, Cashbox
1977 Grammy Nomination, Best Instrumental Composition, "Birdland."
1977 Grammy Nomination, Best Jazz Soloist, Jaco Pastorius, Heavy Weather.
Grammy Award, Manhattan Transfer version of 'Birdland.'

Extensive Album Review

RS Links

Part 1 | Part 2 | Part 3

~|~

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Linda Ronstadt - Greatest Hits [DCC Gold GZS-1040, 1993]

Linda Ronstadt - Greatest Hits
DCC 24KT Gold GZS-1040 1993 Steve Hoffman Remaster
EAC Wavpack | Log + Cue | Full HQ Scans | ~246 Mb | RS
Original 1976 | 37:33 min | Easy Rock

“

Greatest Hits was Linda Ronstadt's first major compilation album, released in late 1976 for the holiday shopping season. It included material from both her Capitol Records and Asylum Records output, and went back to 1967 for The Stone Poneys' hit "Different Drum". It remains the biggest-selling album of Linda's entire career, being certified 7 times Platinum (over 7 million US copies sold) by the RIAA, in the US alone. It peaked at #6 on the main Billboard album chart and reached #2 on Billboard's Country albums chart, where it remained for three years. It has sold approximately 20 million copies worldwide.

”

EAC extraction logfile from 12. April 2007, 17:36 for CD
Linda Ronstadt / Greatest Hits [1993 DCC Gold]

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“

Amazon.com essential recording Linda Ronstadt's appeal crossed so many genre lines it's impossible to categorize her as anything other than a gifted vocalist. She enjoyed success on country and rock charts alike with a voice that capably handled the requirements of both styles. There was a commanding roughness to her you-did-me-wrong classic, "You're No Good," that mixed both soul and R&B stylings into her vocals. In a similar vein, she handled the Motown standard, "Heat Wave," like a pro, this time giving it the slightest hint of a country twang. She even rose to the occasion of covering Buddy Holly's "That'll Be the Day." Rondstadt had some of her best moments with material that had a more emotional element, regardless of genre. "Love Is a Rose" and "Tracks of My Tears" are good examples of the disparate styles she could navigate with equal aplomb. Greatest Hits doesn't chronicle Rondstadt's hits past the mid-1970s, but is still worth owning, not only for the songs themselves, but as a point of reference in her career. --Steve Gdula

”

RS Links:

Part 1 | Part 2 | Part 3

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Joseph Haydn - Symphonies 82, 88 & 95 (Fey Haydn Project Volume 3)

Joseph Haydn - Symphonies No. 82/88/95 (Fey Haydn Project Volume 3
Genre: Vienesse Classics Symphonies | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 309 MB
2001 recording & release | Publisher: hänssler CLASSIC CD 98.397
RapidShare

Works

1. (00:07:56) Symphony No. 82 in C »L'Ours«: I. Vivace assai
2. (00:06:27) Symphony No. 82 in C »L'Ours«: II. Allegretto
3. (00:05:05) Symphony No. 82 in C »L'Ours«: III. Menuet
4. (00:07:22) Symphony No. 82 in C »L'Ours«: IV. Finale: Vivace
5. (00:06:32) Symphony No. 88 in G: I. Adagio - Allegro
6. (00:06:52) Symphony No. 88 in G: II. Largo
7. (00:03:37) Symphony No. 88 in G: III. Menuetto. Allegretto
8. (00:03:56) Symphony No. 88 in G: IV. Finale: Allegro con spirito
9. (00:06:46) Symphony No. 95 in C minor: I. Allegro moderato
10. (00:04:33) Symphony No. 95 in C minor: II. Andante cantabile
11. (00:05:14) Symphony No. 95 in C minor: III. Menuet
12. (00:03:41) Symphony No. 95 in C minor: IV. Finale: Vivace


Performers

Heidelberger Sinfoniker
Thomas Fey

Recording Information

recorded Spring 2001
released in 2001

hänssler CLASSIC
CD 98.391

“

This disc is simply stunning. Thomas Fey and his Heidelberg orchestra attack "The Bear" with unbridled ferocity and brilliance, offering dazzling evidence of why in their day Haydn's symphonies came to be regarded as the ultimate examples of orchestral composition. There's no soft-pedaling here! Listen to the symphony's finale, to the uninhibited high spirits that characterize its folk-influenced themes, to the complete bravura Fey encourages his players to display (particularly the trumpets and drums). The work's opening rhythmic tattoos cut through the texture with tremendous force but never become coarse or merely noisy, and the second subject, with the solo bassoon providing the only bass note, seldom has sounded so deliciously faux-naïve. An elegantly flowing Allegretto second movement and rhythmically charged minuet complete this well-nigh perfect picture. Symphony No. 88, that joyous gem of a piece, makes a similarly powerful impression. Note how Fey, almost alone among conductors, makes sure that you really hear the principal theme of the slow movement's melodic suspension across the bar line. (The first limb of the tune actually has only five notes--in syncopated rhythm--but most performances smooth out this detail by allowing the solo cello and oboe to yield center stage to the accompaniment's downbeat in the second bar. This makes it sound as though the phrase has six notes rather than five.) For once you can hear this music with the rhythmic tension that Haydn built into it, and when the trumpet and drums make their belated entrance they hit you with the same shock that audiences in Haydn's day must have experienced. The Menuetto of this symphony, or more specifically its trio, offers another classic example of Fey being the first conductor to really "get it right". How many people have fallen in love with this symphony, and with Haydn in particular, through this enchanting pastoral interlude, with its bagpipe bass line and chirping oboe melody? But who, aside from Fey, really has his bassoon hitting the drones fortissimo as Haydn specifies, and allows the horns similarly to play forte, all in a quiet context? It's an episode with a Mahlerian wealth of simultaneous dynamic detail, and one in which you will almost never hear what Haydn actually wrote. Well here you finally do, and the result is spectacular. The finale breezes along with crystal clear textures (particularly the triple canon that comprises its second episode), and a coda that strikingly evokes a certain familial resemblance to the end of Beethoven's Seventh Symphony. Symphony No. 95, the stepchild of the London Symphonies, has been neglected largely because of the mature Haydn's attitude toward music in minor keys. After working through his terrifying "Sturm und Drang" middle period Haydn came to treat minor keys not as something tragic, but more as a source of musical color and energy. Audiences used to Mozartian minor-key pathos or Beethoven's tragic grandeur always have found Haydn's fundamentally cheerful approach and more obviously intellectual rigor harder to take. And yet this symphony contains in its finale not only one of the most ravishing tunes that Haydn ever penned, but a contrapuntal tour-de-force comparable to what Mozart achieved in the finale of his Jupiter Symphony. As we might have predicted, Fey plays the pants off this finale, but he also injects more forward-driving energy and purpose into the first movement's half-serious minor-key escapades than any other version. He also wrings every drop of grimness from the third movement Menuet, emotionally speaking the darkest music in the symphony (and how typical of Haydn to shift the expressive center of gravity to this unexpected place!). Hänssler has captured all of this in sonics that offer both the clarity the music requires and enough space for the climaxes to expand impressively. In a series that has gone from strength to strength, this issue truly stands out as something exceptional. Now for the disclaimer: some readers may have noticed that this writer contributed booklet notes for early issues in this series. This is no longer the case or I wouldn't be writing this review now. Frankly, it's much more fun to be able to review the discs and recommend them to you, which is one reason I stopped writing the notes; but if this prior association leads you to question my objectivity then by all means take this into consideration if you are thinking about purchasing this disc. Better yet, try to listen and decide for yourself. There is no finer Haydn symphony disc currently available. (David Hurwitz on classicstoday.com

”

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The Beatles - Artifacts I - The Definitive Collection of Beatles Rarities

The Beatles - Artifacts I - The Definitive Collection of Beatles Rarities
5 cd's | Flac Separate Files | Eac Log | No Cuesheet | Md5 Checksum included | Artwork Included | 1.89 Gb

The Beatles
Artifacts - The Definitive Collection Of Beatles Rarities
1958-1970

Big Music (4018/4019/4020/4021/4022)

Made in Italy 1993
BIGBX 006
5 CD Box Set
Full Color Picture Discs
24-Page Full Color Booklet
Lineage: Original Silver Discs > EAC > WAV > FLAC(6)

Disc 1 - The Early Years 1958-1963 (70:03)

1. That'll Be The Day (Allison/Holly/Petty)
2. The One After 909 (Lennon/McCartney)
3. I'll Follow The Sun (Lennon/McCartney)
4. Matchbox (Perkins)
5. Cayenne (McCartney)
6. The World Is Waiting For The Sunrise (Lockhart/Seitz)/Flaming Pie
7. Catswalk (McCartney)
8. The One After 909 (Lennon/McCartney)
9. I Saw Her Standing There (Lennon/McCartney)
10. Like Dreamers Do (Lennon/McCartney)
11. Hello Little Girl (Lennon/McCartney)
12. Some Other Guy (Leiber/Stoller/Barrett)
13. How Do You Do It (Murray/Edmond)
14. A Taste Of Honey (Marlow/Scott)
15. I Saw Her Standing There (Lennon/McCartney)
16. There's A Place (Lennon/McCartney)/There's A Place (Lennon/McCartney)
17. Misery (Lennon/McCartney)
18. From Me To You (Lennon/McCartney)
19. Please Please Me (Lennon/McCartney)
20. Long Tall Sally (Johnson/Penniman/Blackwell)
21. Money (That's What I Want) (Bradford/Gordy)
22. I'll Be On My Way (Lennon/McCartney)
23. I'm In Love (Lennon/McCartney)
24. Bad To Me (Lennon/McCartney)
25. Hold Me Tight (Lennon/McCartney)
26. Don't Bother Me (Harrison)
27. Roll Over Beethoven (Berry)
28. Twist And Shout (Russell/Medley)
29. On Moonlight Bay (Madden/Wenrich)


Part 1
Part 2
Part 3
Part 4

Disc 2 - Beatlemania 1964-1965 (73:07)

1. If I Fell (Lennon/McCartney)
2. One And One Is Two (Lennon/McCartney)
3. Can't Buy Me Love (Lennon/McCartney)
4. All My Loving (Lennon/McCartney)
5. I Want To Hold Your Hand (Lennon/McCartney)
6. Please Please Me (Lennon/McCartney)
7. A Hard Day's Night (Lennon/McCartney)
8. From Us To You (Show Theme) (Lennon/McCartney)
9. You Can't Do That (Lennon/McCartney)
10. Shout (Isley/Isley/Isley)
11. Leave My Kitten Alone (John/Turner/McDougal)
12. I'm A Loser (Lennon/McCartney)
13. She's A Woman (Lennon/McCartney)
14. I Feel Fine (Lennon/McCartney)
15. If You've Got Trouble (Lennon/McCartney)
16. You're Going To Lose That Girl (Lennon/McCartney)
17. That Means A Lot (Lennon/McCartney)
18. Help! (Lennon/McCartney)
19. Yesterday (Lennon/McCartney)
20. I'm Down (Lennon/McCartney)
21. Norwegian Wood (This Bird Has Flown) (Lennon/McCartney)
22. Day Tripper (Lennon/McCartney)
23. We Can Work It Out (Lennon/McCartney)
24. I'm Looking Through You (Lennon/McCartney)
25. 12-Bar Original (Lennon/McCartney/Harrison/Starkey)
26. Girl (Lennon/McCartney)


Part1
Part2
Part3
Part4
Part5

Disc 3 - The Psychedelic Years 1966-1967 (76.54)

1. He Said He Said (Lennon/McCartney)/She Said She Said (Lennon/McCartney)
2. Tomorrow Never Knows (Lennon/McCartney)
3. Paperback Writer (Lennon/McCartney)
4. Nowhere Man (Lennon/McCartney)
5. Paperback Writer (Lennon/McCartney)
6. Strawberry Fields Forever (Lennon/McCartney)
7. Penny Lane (Lennon/McCartney)
8. A Day In The Life (Lennon/McCartney)
9. Good Morning Good Morning (Lennon/McCartney)
10. It's All Too Much (Harrison)
11. All You Need Is Love (Lennon/McCartney)
12. Your Mother Should Know (Lennon/McCartney)
13. I Am The Walrus (Lennon/McCartney)
14. The Fool On The Hill (Lennon/McCartney)
15. Aerial Tour Instrumental (Lennon/McCartney/Harrison/Starkey)
16. Jessie's Dream (Lennon/McCartney/Harrison/Starkey)
17. Hello Hello (Lennon/McCartney)
18. Blue Jay Way (Harrison)
19. Cry Baby Cry (Lennon/McCartney)
20. Daddy's Little Sunshine Boy (Starkey)

EAC extraction logfile from 21. August 2007, 9:28 for CD
The Beatles / Disc 3 - The Psychedelic Years 1966-1967

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No errors occured


End of status report

Part 1
Part 2
Part 3
Part 4

Disc 4 - Inner Revolution 1968 (74.17)

1. The Inner Light (Harrison)
2. Lady Madonna (Lennon/McCartney)
3. She Can Talk To Me (Lennon/McCartney)
4. Across The Universe (Lennon/McCartney)
5. Instrumental (unknown)/Blowin' In The Wind (Dylan)/Hare Krishna Mantra (Trad.)
6. Thank You Guru Dev (McCartney)/Happy Birthday Mike Love (McCartney)
7. The Happy Rishikesh Song (Lennon)
8. Dear Prudence (Lennon/McCartney)
9. Back In The U.S.S.R. (Lennon/McCartney)
10. Piggies (Harrison)
11. Jubilee (McCartney)
12. Child Of Nature (Lennon)
13. Sour Milk Sea (Harrison)
14. Circles (Harrison)
15. Ob-La-Di, Ob-La-Da (Lennon/McCartney)
16. Revolution (Lennon/McCartney)
17. Brian Epstein Blues (Lennon)
18. While My Guitar Gently Weeps (Harrison)
19. Hey Jude (Lennon/McCartney)/Las Vegas Tune (McCartney)/St. Louis Blues (Handy)
20. Not Guilty (Harrison)
21. What's The New Mary Jane? (Lennon/McCartney)
22. Everyone Had A Hard Year (Lennon)
23. Heather (McCartney)
24. Don't Let Me Down (Lennon/McCartney)
25. Goodbye (McCartney)


Part 1
Part 2
Part 3
Part 4

Disc 5 - Get Back To Abbey Road 1969-1970 (71:00)

1. Another Day (McCartney/McCartney)/Chat
2. Comments/Suicide (McCartney)
3. Act Naturally (Russell/Morrison)/Two Of Us (Lennon/McCartney)
4. Piano Theme (McCartney)/Strawberry Fields Forever (Lennon/McCartney)
5. Madman A Comin'(Lennon)
6. Watching Rainbows (Lennon)
7. Commonwealth (McCartney)
8. Get Back (Lennon/McCartney)
9. Old Brown Shoe (Harrison)
10. For You Blue (Harrison)
11. I Lost My Little Girl (Lennon/McCartney)
12. Maggie Mae (Trad. Arr Lennon/McCartney/Harrison/Starr)/Fancy Me Chances (Lennon/McCartney)
13. Dig It (Lennon/McCartney/Harrison/Starkey)
14. Get Back (Lennon/McCartney)
15. Dig A Pony (Lennon/McCartney)
16. Let It Be (Lennon/McCartney)
17. Something (Harrison)
18. Golden Slumbers (Lennon/McCartney)/Carry That Weight (Lennon/McCartney)/The End (Lennon/McCartney)
19. Her Majesty (Lennon/McCartney)
20. Oh! Darling (Lennon/McCartney)
21. Come And Get It (McCartney)
22. Because (Lennon/McCartney)
23. I Me Mine (Harrison)

EAC extraction logfile from 21. August 2007, 11:53 for CD
The Beatles / Disc 5 - Get Back To Abbey Road 1969-1970

Used drive : PLEXTOR DVDR PX-760A Adapter: 3 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Combined read/write offset correction : 0
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000


Track 1
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Peak level 87.3 %
Track quality 99.9 %
Copy CRC C19BB1BC
Copy OK

Track 2
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Peak level 55.0 %
Track quality 99.8 %
Copy CRC 5A6D98E6
Copy OK

Track 3
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Peak level 78.2 %
Track quality 100.0 %
Copy CRC D84F594D
Copy OK

Track 4
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Peak level 64.6 %
Track quality 100.0 %
Copy CRC 872A6C90
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Track 5
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Peak level 78.7 %
Track quality 100.0 %
Copy CRC 87FC4D0B
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Track 6
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Track quality 100.0 %
Copy CRC 441CD45F
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Track 7
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Track quality 100.0 %
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Track 8
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Track 9
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Track 10
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Track 11
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Track quality 100.0 %
Copy CRC 0249FBB4
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Track 12
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Track 13
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Track 14
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Track 15
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Track 16
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Track 17
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Track 18
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Track 19
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Track 20
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Track 21
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Track 22
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Track 23
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Track quality 100.0 %
Copy CRC 3EBFC153
Copy OK

No errors occured


End of status report

Part 1
Part 2
Part 3
Part 4


Artwork

MD5 Checksum

No pass

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