Vanessa Mae - Discography (1995-2004)

Vanessa Mae - Discography (1995-2004) - 12 CD
MP3 320kbps, 44100KHZ, STEREO | Classic-Rock | 1995 - 2004 | 12 CD + Cover | 1,63 Gb

Vanessa-Mae Vanakorn Nicholson (born October 27, 1978), known professionally as Vanessa-Mae (in Chinese, Chen Mei), is an internationally known British pop and classical musician, especially noted for her violin skills. Her music style is self-described as "violin techno-acoustic fusion," as several of her albums prominently feature the techno style.

Childhood
Vanessa-Mae was born in Singapore to a Thai father (Varaprong Vanakorn) and a Chinese mother (Pamela Tan). After her parents separated, her mother married Englishman Graham Nicholson, and the family moved to England when Vanessa-Mae was four years old. She grew up in London and is a British citizen.

Vanessa-Mae, born October 27, 1978, coincidentally shares her birthday with famed violinist Niccolo Paganini, who was born 196 years earlier on October 27, 1782.

Professional life
Vanessa-Mae began playing piano at the age of three and violin at five.

She was particularly famous in the United Kingdom throughout her childhood making regular appearances on television (for example on Blue Peter) mostly involving classical music and conservative style. According to Guinness World Records, she is the youngest soloist to record both the Beethoven and Tchaikovsky violin concertos, a feat she accomplished at the age of thirteen. During this time she attended the Francis Holland School in central London.

Vanessa-Mae made her international professional debut at the Schleswig-Holstein Musik Festival in Germany in 1988, and also during 1988 made her concerto debut on stage with the Philharmonia Orchestra in London.

On entering adolescence Vanessa-Mae broke away from her traditional classical influences and became known for her flashy, sexual style appearing in music videos in stylish outfits. She appeared on the Janet Jackson album The Velvet Rope playing a violin solo on the song "Velvet Rope." Her first pop-style album, The Violin Player, was released in 1995.

In April 2006, Vanessa-Mae was ranked as the wealthiest young entertainer under 30 in the UK in the Sunday Times Rich List 2006.[2] having an estimated fortune of about 32 million ($64 million) stemming from concerts and record sales of over an estimated 10 million copies world wide, which is an unprecedented achievement for a young female violinist.

Vanessa-Mae announced in 2006 that she would be releasing a new album sometime between 2007 and 2008. The album was said to draw inspiration from great ballets and opera themes. Her new album is now scheduled to be released in 2009.

Her violins
Vanessa-Mae most often uses one of two types of violins, a Guadagnini acoustic violin or a Zeta Jazz model electric violin. The Guadagnini was made in 1761, and was purchased by her parents at an auction for 150,000. It was stolen in January, 1995, but was recovered by the police two months later. She once fell and broke it, but it was repaired.

In addition, she uses one of two Zeta Jazz Model electric violins, one of which is white and the other one of which features decals of the U.S. flag. She has also been using a silver-gray Zeta Jazz Model electric violin since 2001. In addition to these two main violins, she sometimes buys violins and resells them later, giving the proceeds to charity. Occasional media appearances show her to be using a clear acrylic electric violin made by Ted Brewer.

Tracklisting

1995 The Violin Player

01. 0750 Vanessa Mae - Toccata And Fugue In D Minor
02. 0352 Vanessa Mae - Contradanza
03. 0324 Vanessa Mae - Classical Gas
04. 0508 Vanessa Mae - Theme From 'Caravans'
05. 0341 Vanessa Mae - Warm Air
06. 0333 Vanessa Mae - Jazz Will Eat Itself
07. 0401 Vanessa Mae - Widescreen
08. 0329 Vanessa Mae - Tequila Mockingbird
09. 0435 Vanessa Mae - City Theme
10. 0319 Vanessa Mae - Red Hot
11. 0345 Vanessa Mae - Classical Gas (Reggae Version)


1996 The Classical Album 1

01. 0350 Vanessa Mae - Bach - Partita No3 in E, I Preludio
02. 0315 Vanessa Mae - Bach - Partita No3 in E, II Loure
03. 0307 Vanessa Mae - Bach - Partita No3 in E, III Gavotte En Rondeau
04. 0117 Vanessa Mae - Bach - Partita No3 in E, IV Menuet I
05. 0127 Vanessa Mae - Bach - Partita No3 in E, V Menuet II
06. 0117 Vanessa Mae - Bach - Partita No3 in E, VI Bourree
07. 0137 Vanessa Mae - Bach - Partita No3 in E, VII Gigue
08. 0530 Vanessa Mae - Brahms - Scherzo in C Minor
09. 0832 Vanessa Mae - Beethoven - Romance No 2 in F
10. 0318 Vanessa Mae - Bruch - Scottish Fantasy, Introduction Grave
11. 0406 Vanessa Mae - Bruch - Scottish Fantasy, Adagio Cantabile
12. 0528 Vanessa Mae - Bruch - Scottish Fantasy, Allegro
13. 0101 Vanessa Mae - Bruch - Scottish Fantasy, Adagio
14. 0533 Vanessa Mae - Bruch - Scottish Fantasy, Andante Sostenuto
15. 0701 Vanessa Mae - Bruch - Scottish Fantasy, Finale
16. 0430 Vanessa Mae - I'm A-Doun For Lack O'Johnnie (A Little Scottish Fantasy)


1997 Storm

01. 0309 Vanessa Mae - Summer Haze
02. 0343 Vanessa Mae - Storm
03. 0357 Vanessa Mae - Retro
04. 0426 Vanessa Mae - Bach Street Prelude
05. 0632 Vanessa Mae - Leyenda
06. 0341 Vanessa Mae - (I) Can, Can (You)
07. 0633 Vanessa Mae - Happy Valley
08. 0432 Vanessa Mae - A Poet's Quest (For A Distant Paradise)
09. 0503 Vanessa Mae - Embrasse Moi (You Fly Me Up)
10. 0456 Vanessa Mae - Aurora
11. 0429 Vanessa Mae - I'm A Doun
12. 0658 Vanessa Mae - I Feel Love
13. 0314 Vanessa Mae - Hocus Pocus
14. 0817 Vanessa Mae - The Blessed Spirits


1997 The Classical Album 2 (China Girl)

01. 2647 Vanessa Mae - Butterfly Lovers' Violin Concerto
02. 1137 Vanessa Mae - Fantasy on Puccini's Turandot
03. 0635 Vanessa Mae - Happy Valley


1998 The Classical Album 3 (The Original Four Seasons)

01. 0313 Vanessa Mae - Spring - I Allegro
02. 0308 Vanessa Mae - Spring - II Largo E Pianissimo Sempre
03. 0402 Vanessa Mae - Spring - III Allegro
04. 0516 Vanessa Mae - Summer - I Allegro Non Molto
05. 0222 Vanessa Mae - Summer - II Adagio
06. 0240 Vanessa Mae - Summer - III Tempo Impetuoso D'Estate
07. 0525 Vanessa Mae - Autumn - I Allegro
08. 0211 Vanessa Mae - Autumn - II Adagio
09. 0318 Vanessa Mae - Autumn - III La Caccia
10. 0344 Vanessa Mae - Winter - I Allegro Non Molto
11. 0312 Vanessa Mae - Winter - II Largo
12. 0325 Vanessa Mae - Winter - III Allegro
13. 0307 Vanessa Mae - The Devil's Trill Sonata - I Larghetto, Ma Non Troppo
14. 0232 Vanessa Mae - The Devil's Trill Sonata - II Allegro Moderato
15. 0715 Vanessa Mae - The Devil's Trill Sonata - III Grave, Allegro Assai
16. 0346 Vanessa Mae - Devil's Trill
17. 0424 Vanessa Mae - Reflection



2000 The Classical Collection

CD1 Russian Album

01. 0430 Vanessa Mae - Kabalevsky - Violin concerto in C, Op.48 - I. Allegro
02. 0502 Vanessa Mae - Kabalevsky - Violin concerto in C, Op.48 - II. Andante
03. 0559 Vanessa Mae - Kabalevsky - Violin concerto in C, Op.48 - III. Vivace giocoso
04. 0408 Vanessa Mae - Tchaikovsky - Russian Dance (Swan Lake)
05. 1723 Vanessa Mae - Tchaikovsky - Violin concerto in D, Op.35 - I. Allegro moderato
06. 0546 Vanessa Mae - Tchaikovsky - Violin concerto in D, Op.35 - II. Canzonetta(Andante)
07. 0906 Vanessa Mae - Tchaikovsky - Violin concerto in D, Op.35 - III. Finale (Allegro vivacissimo)


CD2 Viennese Album

01. 0157 Vanessa Mae - Kreisler - Schon Rosmarin
02. 0255 Vanessa Mae - Kreisler - Liebesleid
03. 0311 Vanessa Mae - Kreisler - Liebesfreud
04. 0722 Vanessa Mae - Casadesus - Violin Concerto in D 'Adelaide' - I. Allegro
05. 0715 Vanessa Mae - Casadesus - Violin Concerto in D 'Adelaide' - II. Adagio
06. 0429 Vanessa Mae - Casadesus - Violin Concerto in D 'Adelaide' - III. Allegro
07. 2247 Vanessa Mae - Beethoven - Violin Concerto in D Op.61 - I. Allegro ma non troppo
08. 0806 Vanessa Mae - Beethoven - Violin Concerto in D Op.61 - II. Larghetto
09. 0946 Vanessa Mae - Beethoven - Violin Concerto in D Op.61 - III. Rondo (Allegro)

CD3 Virtuoso Album

01. 0226 Vanessa Mae - Salut D'Armour
02. 0200 Vanessa Mae - Lullaby
03. 0227 Vanessa Mae - Air On The G String
04. 0116 Vanessa Mae - My Favourite Things
05. 0228 Vanessa Mae - The Pink Panther
06. 0151 Vanessa Mae - Les Parapluies De Cherbourg
07. 0436 Vanessa Mae - One Moment In Time
08. 0143 Vanessa Mae - Yellow Submarine
09. 0855 Vanessa Mae - Frere Jacques
10. 0523 Vanessa Mae - La Campanella
11. 0237 Vanessa Mae - Chinese Folk Tune
12. 0404 Vanessa Mae - Tambourin Chinois
13. 0530 Vanessa Mae - Figaro
14. 0152 Vanessa Mae - Sumertime
15. 1337 Vanessa Mae - Concert Fantasy On 'Carmen' Op.25
16. 1620 Vanessa Mae - Fantaisie Brillante On Themes From Gounod's 'Faust' Op.20


2001 Subject To Change

01. 0552 Vanessa Mae - Yantra
02. 0533 Vanessa Mae - White Bird
03. 0257 Vanessa Mae - Picante
04. 0648 Vanessa Mae - Destiny
05. 0441 Vanessa Mae - Night Flight
06. 0509 Vanessa Mae - Clear Like Ice
07. 0609 Vanessa Mae - Laughing Buddha
08. 0427 Vanessa Mae - Pasha
09. 0434 Vanessa Mae - Solace
10. 0253 Vanessa Mae - Love Is Only A Game
11. 0620 Vanessa Mae - Deep South
12. 0901 Vanessa Mae - Jamais


2002 The Best Of

01. 0403 Vanessa Mae - Art Of War
02. 0339 Vanessa Mae - Toccata And Fugue In D Minor
03. 0312 Vanessa Mae - Destiny
04. 0317 Vanessa Mae - Nessun Dorma From Violin Fantasy On Puccini's 'Turandot'
05. 0431 Vanessa Mae - I'm A-Doun For Lack O' Johnnie (A Little Scottish Fantasy)
06. 0344 Vanessa Mae - Storm
07. 0426 Vanessa Mae - I Feel Love
08. 0427 Vanessa Mae - Bach Street Prelude
09. 0453 Vanessa Mae - Aurora
10. 0311 Vanessa Mae - The Original Four Seasons - Winter (II)
11. 0319 Vanessa Mae - Contradanza
12. 0333 Vanessa Mae - White Bird
13. 0516 Vanessa Mae - The Original Four Seasons - Summer (I)
14. 0635 Vanessa Mae - Happy Valley
15. 0337 Vanessa Mae - Devil's Trill
16. 0431 Vanessa Mae - Solace


2003 The Ultimate

01. 0348 Vanessa Mae - Classical Gas
02. 0426 Vanessa Mae - I Feel Love
03. 0259 Vanessa Mae - Picante
04. 0434 Vanessa Mae - Red Hot (Symphonic Mix)
05. 0552 Vanessa Mae - Yantra
06. 0429 Vanessa Mae - Back Street Prelude
07. 0636 Vanessa Mae - Leyenda
08. 0318 Vanessa Mae - Cotton Eye Joe (Live)
09. 0343 Vanessa Mae - (I) Can, Can (You)
10. 0401 Vanessa Mae - Widescreen
11. 0440 Vanessa Mae - Night Flight
12. 0441 Vanessa Mae - Toccata & Fugue in D Minor (Live)
13. 0311 Vanessa Mae - Allegro (Spring-The Original Four Seasons)
14. 0521 Vanessa Mae - Scherzo in C Minor for Violin & Piano


2004 Choreography

01. 0559 Vanessa Mae - Sabre Dance
02. 0443 Vanessa Mae - Roxane's Veil
03. 0507 Vanessa Mae - Bolero For Violin And Orchestra
04. 0356 Vanessa Mae - Tango De Los Exilados
05. 0346 Vanessa Mae - The Havana Slide
06. 0351 Vanessa Mae - Emerald Tiger
07. 0338 Vanessa Mae - Tribal Gathering
08. 0526 Vanessa Mae - Raga's Dance
09. 0309 Vanessa Mae - Moroccan Roll
10. 0350 Vanessa Mae - Handel's Minuet


Size: 1,63 Gb

http://vip-file.com/download/829b8b226269/Vanessa-Mae.rar.html
or
http://letitbit.net/download/09c36c847852/Vanessa-Mae.rar.html
or
http://rapidshare.com/files/208816929/VanessaMae.part01.rar
http://rapidshare.com/files/208825996/VanessaMae.part02.rar
http://rapidshare.com/files/208835411/VanessaMae.part03.rar
http://rapidshare.com/files/208845156/VanessaMae.part04.rar
http://rapidshare.com/files/208872161/VanessaMae.part05.rar
http://rapidshare.com/files/208881363/VanessaMae.part06.rar
http://rapidshare.com/files/208890382/VanessaMae.part07.rar
http://rapidshare.com/files/208899547/VanessaMae.part08.rar
http://rapidshare.com/files/208908182/VanessaMae.part09.rar
http://rapidshare.com/files/208916704/VanessaMae.part10.rar
http://rapidshare.com/files/208924840/VanessaMae.part11.rar
http://rapidshare.com/files/208932369/VanessaMae.part12.rar
http://rapidshare.com/files/208939627/VanessaMae.part13.rar
http://rapidshare.com/files/208946572/VanessaMae.part14.rar
http://rapidshare.com/files/208963091/VanessaMae.part15.rar
http://rapidshare.com/files/208974959/VanessaMae.part16.rar
http://rapidshare.com/files/208968860/VanessaMae.part17.rar
http://rapidshare.com/files/208969444/VanessaMae.part18.rar

 

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Just Soul

Just Soul
Soul | 4 CD, Covers | 325 MB | MP3 Standard, avg 179 kbps | 5% Recovery | 2009

Track Listing
-------------
CD1

[01]. Ben E King - Stand by Me
[02]. Dionne Warwick - Walk on by (Live)
[03]. Harold Melvin and The Blue Notes - If You Dont Know Ma by Now
[04]. Sam and Dave - Soul Man
[05]. Mary Wells - My Guy
[06]. Eddie Floyd - Knock on Wood
[07]. Teddy Pendergrass - Love T.K.O
[08]. Percy Sledge - When A Man Loves A Woman
[09]. The Miracles - Youve Really Got A Hold on Me
[10]. Ike and Tina Turner - Youre Up to Something
[11]. Gladys Knight and The Pips - Every Beat of My Heart
[12]. Ohio Players - Mother in Law
[13]. The Platters - Smoke Gets in Your Eyes
[14]. The Chi - Lites-Stoned Out of My Mind
[15]. Al Jarreau - Aint No Sunshine
[16]. The Drifters - Under The Boardwalk
[17]. Barry White and Love Unlimited Orchestra - Ive Got The Whole World to Hold Me Up
[18]. Marvin Gaye - Sexual Healing (Live)

CD2

[01]. Percy Sledge - Warm and Tender Love
[02]. James Brown - Its A Mans Mans World (Live)
[03]. Gil Scott Heron - The Bottle (Live)
[04]. The Platters - Only You
[05]. The Delfonics - Didnt I (Blow Your Mind)
[06]. Joe Simon - You Keep Me Hangin on
[07]. The Foundations - Baby Now that Ive Found You
[08]. The Grass Roots - Midnight Confessions
[09]. Ohio Players - Stop Lying to Yourself
[10]. Wilson Pickett - Give Your Lovin Right Now
[11]. Ike and Tina Turner - Living for The City
[12]. The Chi - Lites-Oh Girl
[13]. Marvin Gaye - Whats Going on (Live)
[14]. The Commodores - I Know Im Losing You
[15]. Brook Benton - A Rainy Night in Georgia
[16]. Minnie Ripperton - Come to My Garden
[17]. Barry White and Love Unlimited Orchestra - Come on in Love
[18]. Helen Reddy - Aint No Way to Treat A Lady

CD3

[01]. Dionne Warwick - Dont Make Me Over (Live)
[02]. The Drifters - Unchained Melody
[03]. Teddy Pendergrass - Come Go with Me
[04]. The Miracles - The Tracks of My Tears
[05]. Sam and Dave - Hold on Im Coming
[06]. Harold Melvin and The Blue Notes - Get Ready
[07]. Freda Payne - Deeper and Deeper
[08]. Marvin Gaye - After The Dance (Live)
[09]. Percy Sledge - Try A Little Tenderness
[10]. Brook Benton - Thank You Pretty Lady
[11]. The Association - Cherish
[12]. The Foundations - In The Bad Bad Old Days
[13]. Brook Benton - Save The Children (Live)
[14]. Mary Wells - What Love Has Joined Together
[15]. Minnie Ripperton - Completeness
[16]. The Commodores - Rise Up
[17]. Georges Mc Crae - Its Been So Long
[18]. Freda Payne - Band of Gold

CD4

[01]. James Brown - Georgia on My Mind (Live)
[02]. Gladys Knight and The Pips - Goodnight My Love
[03]. Wilson Pickett - If You Need Me
[04]. Eddie Floyd - California Girl
[05]. Teddy Pendergrass - Turn Off The Lights
[06]. The Delfonics - La La Means I Love You
[07]. Percy Sledge - (Sittin on) The Dock of The Bay
[08]. The Grass Roots - Sooner or Later
[09]. Heatwave - Always and Forever
[10]. Ike and Tina Turner - Mississippi Rolling Stone
[11]. Barry White and Love Unlimited Orchestra - All in The Run of A Day
[12]. The Platters - The Great Pretender
[13]. The Miracles - Shop Around
[14]. Harold Melvin and The Blue Notes - My Girl
[15]. Ohio Players - A Little Soul Party
[16]. The Chi - Lites-Have You Ever Seen that
[17]. The Drifters - Save The Last Dance for Me
[18]. Ben E King - Do it in The Name of Love

FlameUpload ~ Multiple mirrors ¬
Part 1 | Part 2 | Part 3 | Part 4
OR
MegaUpload Mirror ¬
Part 1 | Part 2 | Part 3 | Part 4

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Curtis Fuller & Hampton Hawes With French Horns [1957](2000)

Curtis Fuller & Hampton Hawes With French Horns [1957](2000)

Loseless (Flac Image File + Cue + Log + Audiochecker Log): 247 Mb | Eac Secure Mode Rip | Mp3 (CBR 320 Kbps): 88.3 Mb

Original Release Date: May 18, 1957 - Audio CD (December 26, 2000) - Label: Ojc - ASIN: B0000542R8

Jazz

“

Note: Recorded in Hackensack, New jersey, 18th May 1957.

”

“

Review: One would be hard pressed to find an instrument less suited to jazz than the French horn. Firmly rooted in classical music and played sitting down, the French horn seems almost to resist being pulled from the orchestra pit. Of course, this didn't stop people from using it. The wide experimentation of the forties and fifties brought several new instruments to the jazz spectrum; as a result, the French horn gained a few advocates along the way. Mostly, though, this was in larger group settings; very few souls were daring enough to suggest that it could be used in a smaller context. Fuller and Hawes were not only willing to try, but to make the focus of the session. If nothing else, Fuller and Hawes achieve the distinction of leading the only small group to ever feature two French horns in the front line. Just from this fact alone, you can expect to hear something a little different. The three brass instruments are similar enough that they blend quite nicely and, in some cases, are almost indistinguishable from one another. Shihab's alto provides a necessary balance to what would otherwise be a somewhat murky front line; his brittle lines add variety while cutting through the chocolate tones of the other three. As far as the songs themselves go, Fuller is up to his usual bop trickery and Hawes pounds away skillfully as well. The French horn, however, is not well suited to this type of music and lacks the force to pull off a solo without sounding a little feeble next to the other two. Two French horn solos also gets a bit repetitive. Better is the somber choreography of "A-Drift" and "Five Spot" which sounds a bit like early Mingus; here the horns add rich colorings without having to navigate the changes. Like any album that wears its eccentricities on its sleeve, this one is not without its flaws but is certainly unique and enjoyable when it works. Both Fuller and Hawes's body of work are well served by this reissue.

”

Track listing
[1]: Ronnie's Tune
[2]: Roc and Troll
[3]: A-Drift
[4]: Five Spot
[5]: Lyriste
[6]: No Crooks

Personnel
Curtis Fuller (trombone)
Sahib Shihab (alto sax)
Julius Watkins (french horn)
David Amram (french horn)
Hampton Hawes (piano)
Teddy Charles (piano)
Addison Farmer (bass)
Jerry Segal (drums)


Loseless
http://rapidshare.com/files/214225842/CFHHFH.part1.rar

http://rapidshare.com/files/214225846/CFHHFH.part2.rar

http://rapidshare.com/files/214228141/CFHHFH.part3.rar


Mp3
http://rapidshare.com/files/214228143/CFHHFH_2.rar


Pass: guaza

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Pink Floyd - Wish You Were Here (1975) [CBS/Sony Japan 35DP-4 2 track 1982 Remaster]

[

Pink Floyd - Wish You Were Here (1975) [CBS/Sony Japan 35DP-4]
Rare 2 track 1982 Remaster
EAC rip | .FLAC +.CUE + .LOG + artwork | 234 Mb | 44:28 min | RS
Progressive / Classic Rock

It's scarcely conceivable that Pink Floyd or this album would need any introduction, so I won't bore you with one; however even die hard fans may not have heard of this remaster. This is the rare 2-track Japanese 1982 CD of "Wish You Were Here," catalog number 35DP-4. It's generally regarded as being the best sound version of this classic album rivaling the Columbia Mastersound remaster. The 35DP-4 is very "clean" sounding...playback is very smooth, and it is a "comfortable" listening experience. You can crank it pretty loudly and still enjoy it, which is not done so easily with the Mastersound release. Some may argue the point however, as mastering is often a personal preference.

Because the CDs being produced at this time often had treble pre-emphasis put onto them, which can affect computer playback, I have included a de-emphasized rip as well. If you don't know what pre-emphasis is or only intend to burn to a Cd, you don't need to download them.

Track Listing:
01 - Shine on You Crazy Diamond (Parts 1-5) - Welcome to the Machine
02 - Have a Cigar - Wish You Were Here - Shine on You Crazy Diamond (Parts 6-9)



De-Emphasized Rip Log:

EAC extraction logfile from 28. January 2007, 16:08 for CD
Pink Floyd / Wish You Were Here

Used drive : LITE-ON DVDRW SHM-165H6S Adapter: 0 ID: 0
Read mode : Secure with C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No

Used output format : C:\Program Files\Exact Audio Copy\flac.exe (User Defined Encoder)
128 kBit/s
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000


Track 1
Filename C:\CD Dupe\Misc\Pink Floyd\Wish You Were Here\01-Shine on You Crazy Diamond (Parts 1-5) - Welcome to the Machine.wav

Pre-gap length 0:00:02.00

Peak level 69.5 %
Track quality 99.9 %
Copy CRC 052FDD9C
Copy OK

Track 2
Filename C:\CD Dupe\Misc\Pink Floyd\Wish You Were Here\02-Have a Cigar - Wish You Were Here - Shine on You Crazy Diamond (Parts 6-9).wav

Pre-gap length 0:00:02.64

Peak level 83.6 %
Track quality 100.0 %
Copy CRC 3C033B96
Copy OK

No errors occured


End of status report

RS Links:
http://rapidshare.com/files/213144601/PF-WYWH_35DP4_.part1.rar
http://rapidshare.com/files/213129452/PF-WYWH_35DP4_.part2.rar

De-Emphasized RS Links:
http://rapidshare.com/files/215384384/PF-WYWH_35DP4_wDe-Emp.part1.rar
http://rapidshare.com/files/215388481/PF-WYWH_35DP4_wDe-Emp.part2.rar

ENJOY

 

 

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Miles Davis - "Bags' Groove" (JVC XRCD 2004 Supermaster)

Miles Davis and the Jazz Giants "Bags' Groove" (JVC XRCD)
Jazz | 1954/2004 (JVC) | Ape | EAC Log + Cue | HQ Full Covers |236mb

There are a multitude of reasons why Bags' Groove remains a cornerstone of the post-bop genre. Of course there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session -- featuring Thelonious Monk -- which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis' practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver's (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis' choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of "Airegin" flows into lines and minor-chord phrasings that would reappear several years later throughout Davis' Sketches of Spain epic. The fun and slightly maniacally toned "Oleo" features one of Heath's most impressive displays on Bags' Groove. His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. Bags' Groove belongs as a cornerstone of all jazz collections. Likewise, the neophyte as well as the seasoned jazz enthusiast will find much to discover and rediscover throughout the disc. The superbly remastered XRCD release includes both historic takes of "Bags' Groove" as well as one additional rendering of the pop standard "But Not for Me."

Thanks to JVC's XRCD technology, this 1954 remastering as fresh as if was recorded made yesterday!

EAC extraction logfile from 30. March 2009, 15:42 for CD
Miles Davis / Bag's Groove (XRCD)
Used drive : PIONEER DVD-RW DVR-112L Adapter: 3 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No

Used output format : Monkey's Audio Lossless Encoder v3.99 DLL
Normal Lossless Compression

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


Range status and errors
Selected range
Filename D:\Bags_Groove\Miles Davis - Bag's Groove (XRCD).ape

Peak level 100.0 %
Range quality 100.0 %
CRC B47A61DE
Copy OK

No errors occured

End of status report

Miles Davis and the Jazz Giants "Bags' Groove"

1. "Bags' Groove" (Milt Jackson) [take 1]
2. "Bags' Groove" [take 2]
3. "Airegin" (Sonny Rollins)
4. "Oleo" (Rollins)
5. "But Not for Me" (George Gershwin) [take 2]
6. "Doxy" (Rollins)
7. "But Not for Me" [take 1]

Artists:
* Miles Davis - Trumpet
* Sonny Rollins - Tenor saxophone
* Horace Silver - Piano
* Percy Heath - Bass
* Kenny Clarke - drums

On "Bags' Groove":

* Miles Davis - Trumpet
* Milt Jackson - Vibraphone
* Thelonious Monk - Piano
* Percy Heath - Bass
* Kenny Clarke - drums

Recorded June 29, 1954, Dec 24, 1954
JVCXR-0046-2 XRCD CD

Links:

http://rapidshare.com/files/215504333/BGRV.part1.rar
http://rapidshare.com/files/215504335/BGRV.part2.rar
http://rapidshare.com/files/215504932/BGRV.part3.rar

 

 

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Paul Hindemith: Mörder, Hoffnung Der Frauen-Der Dämon (1993)

Paul Hindemith - Mörder, Hoffnung Der Frauen-Der Dämon (1993)
Classical | EAC (APE, CUE & LOG) | 211 MB

Hindemith's Mörder, Hoffnung der Frauen (Murderer, Hope of Women) is an opera in one act based on Oskar Kokoschka's play by the same title written in 1907. It was the first in a triptych of expressionist influenced one-act operas, the others being Das Nusch-Nuschi (1921), and Sancta Susanna (1922). It was first performed on 4 June 1921, at the Landestheater, Stuttgart under Fritz Busch.

Tracklist1. Oper in einem Akt Op. 12: Morder Hoffnung der Frauen 2. Der Damon Op.28: Tanz des Damons 3. Der Damon Op.28: Tanz der bunten Bander 4. Der Damon Op.28: Tanz der geangsteten 5. Der Damon Op.28: Tanz des Giftes 6. Der Damon Op.28: Tanz der Schmerzen 7. Der Damon Op.28: Tanz des Damons 8. Der Damon Op.28: Tanz der Trauer und der Sehnsucht 9. Der Damon Op.28: Einleitung zum zweiten Bild 10. Der Damon Op.28: Tanz des Kindes 11. Der Damon Op.28: Tanz des weiten Gewandes 12. Der Damon Op.28: Tanz der ganz erschlossenen 13. Der Damon Op.28: Tanz der roten Taserei 14. Der Damon Op.28: Tanz der Brutalitat 15. Der Damon Op.28: Tanz des geschlagenen Tieres 16. Der Damon Op.28: (Finale)

Wergo 60132-50

Exact Audio Copy V0.99 prebeta 3 from 28. July 2007

EAC extraction logfile from 30. March 2009, 1:08

Paul Hindemith / Mörder, Hoffnung Der Frauen-Der Dämon (1993)

Used drive : BENQ DVD DD DW1640 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 618
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.33 | 24:07:48 | 33 | 5132
2 | 24:07:48 | 4:17:02 | 5133 | 11444
3 | 28:24.50 | 4:17.48 | 11445 | 17342
4 | 31:38.03 | 3:13.15 | 17343 | 22832
5 | 32:21.25 | 1:55.50 | 22833 | 36007
6 | 35:10.65 | 3:35.00 | 36008 | 43132
7 | 38:43.53 | 3:05.50 | 43133 | 52557
8 | 40:23.00 | 1:14.12 | 52558 | 71619
9 | 41:54.63 | 1:33.25 | 71620 | 78619
10 | 43:35.48 | 2:11.25 | 78620 | 88469
11 | 46:14.00 | 2:04.13 | 88470 | 97782
12 | 21:43.58 | 2:06.25 | 97783 | 107257
13 | 50:09.05 | 1:57.12 | 107258 | 116044
14 | 51:51.03 | 1:41.13 | 116045 | 123632
15 | 52:32.70 | 2:02.05 | 123633 | 132787
16 | 54:53.38 | 2:12.20 | 132788 | 142707


Range status and errors

Selected range

Filename C:\Mörder, Hoffnung Der Frauen-Der Dämon.wav

Peak level 95.5 %
Range quality 100.0 %
Copy CRC 4007C6FC
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 10) [ECF4714E]
Track 2 accurately ripped (confidence 10) [7BE0CF80]
Track 3 accurately ripped (confidence 10) [F9F696BB]
Track 4 accurately ripped (confidence 10) [40FB4153]
Track 5 accurately ripped (confidence 10) [9CF7EAF8]
Track 6 accurately ripped (confidence 10) [F372A238]
Track 7 accurately ripped (confidence 10) [JKL378DA]
Track 8 accurately ripped (confidence 10) [9DKJWIO3]
Track 9 accurately ripped (confidence 10) [B90E3KLW]
Track 10 accurately ripped (confidence 10) [K15784S8]
Track 11 accurately ripped (confidence 10) [8KLO389E]
Track 12 accurately ripped (confidence 10) [FPO389SE]
Track 13 accurately ripped (confidence 10) [V339SLEO]
Track 14 accurately ripped (confidence 10) [123LWOD4]
Track 15 accurately ripped (confidence 10) [K1PD890E]
Track 16 accurately ripped (confidence 10) [A12E87WN]

All tracks accurately ripped

End of status report

________________________

Download

(3% recovery record included)

 

 

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Project Harmonia Mundi - Part 32

Bach: H-Moll-Messe [HMC901813.14] Konrad Junghändel, Cantus Cölln
Classical | EAC APE+CUE+LOG | 2CD/443MB | Covers+Booklet | RS.com

“

This is the fourth recording of the Mass in B minor to utilize the one-voice-per-part (OVPP) theory, and again, it pays of beautifully. While Rifkin, Parrot, and Kuijken have all recorded the Mass in such a configuration, Junghanel's rendition seems to be the winner here. I noted that however fast the Sanctus, Dona nobis, and Gratias agimus tibi are executed, it is not a detriment to the sound. I believe what makes recording this large scale work with small scale forces is that the balance between each line is sounded perfectly. The recording reminds me of Herreweghe's... reverberant, ecclesiastical sound, suitable to the music. Each soloist functions perfectly as both a soloist and a chorister. I belive that the singers and players of Cantus Colln have the uniformity of voice unmatched by any other ensemble that has attempted to play Bach's concerted church music in such a configuration. The Mass in B-Minor under Rifkin's baton was the first to be recorded using OVPP. Nearly a 20 year old theory, Junghanel's set seems to be a revelation. It is nearly flawless. While I would appreciate the more "standard" tempos of some numbers, it is no less a relevatory pleasure to listen to.

”

Part1 - Part2 - Part3 - Part4 - Part5

Bruckner: F-moll-Messe [HMC901976] Herreweghe, RIAS-Kammerchor, Orchestre Des Champs-Élysées
Classical | EAC APE+CUE+LOG | 1CD/249MB | Covers+Booklet | RS.com

“

The Mass in F minor marks a turning point in the life of Bruckner, then aged 44: crowning his long years of apprenticeship, it announces the series of masterpieces he went on to compose during his years in Vienna. The work illustrates the transition between a certain religious academicism and the Wagnerian heritage, while also reflecting a profoundly fragmented personality, to whom Philippe Herreweghe has already devoted three critically acclaimed recordings.

”

Part1 - Part2 - Part3

Debussy - Poulenc: Sonatas pour Violincelle et Piano [HMC902012] Queyras, Tharaud
Classical | EAC APE+CUE+LOG | 1CD/259MB | Covers+Booklet | RS.com

“

Debussy and Poulenc made a lasting impact on the musical identity of their country through both their references to the past and their innovations. This programme illustrates their vision of a certain esprit français: moving constantly between irony and emotion, extremely refined, yet at the same time offering an amplified echo of ‘light’ music – in short, the ‘exquisite bad music’ the creator of Les Mamelles de Tirésias prided himself on writing. The trajectory of these two interpreters of the young generation in France, who have already made several recordings together, has led them naturally to this repertoire.

”

Part1 - Part2 - Part3

Ginastera: Estancia [HMC901808] Magdalena Barrera, Josep Pons, Orchestra Ciudad de Granada
Classical | EAC APE+CUE-LOG | 1CD/226MB | Covers+Booklet | RS.com

“

This is a great CD. Why? Because these are probably the Argentinian composer Alberto Ginastera's four most accessible pieces, the sound is clear and cool, and Pons and his smallish orchestra play with finesse. This is, in my opinion, the best harp concerto written in the last hundred years, and the Variaciones concertantes Op. 23 is a masterpiece. You can certainly find bigger, splashier versions of the Estancia ballet suite: if that's your main interest, look for Gisele Ben-Dor's LSO version of the complete ballet (with the complete Panambi) on a hard to find Conifer CD. And Howard Hanson's old Rochester recording of the Creole Faust Overture is much more earthy. Nevertheless, Pons lays it all out beautifully before us, and avoids the slow tempi that characterize some of his other performances (the Bizet Symphony, for instance). Make no mistake, this is music to be savoured.

”

Part1 - Part2 - Part3

Neusidler: Lute music [HMU907388] Paul O'Dette
Classical | EAC APE+CUE+LOG | 1CD/297MB | Covers+Booklet | RS.com

“

The son of a lute maker and prominent teacher, Melchior Neusidler was lucky enough to gain the favour of the Fuggers, a rich family of Augsburg bankers: soon his skills as a performer and their passion for his art enabled him to make his living from music – despite his difficult character, which discouraged many patrons! Paul O’Dette breathes new life into the music of this now forgotten master, which at one time was to be heard all over Europe.

”

Part1 - Part2 - Part3 - Part4

Pärt: A Tribute [HMU907407] Paul Hillier, Theatre of Voices, The Pro Arte Singers, Estonian Philharmonic Chamber
Classical | EAC APE+CUE+LOG | 1CD/249MB | Covers + Booklet | RS.com

“

In celebration of composer Arvo Pärt’s 70th birthday (September 11th, 2005), a selection of recordings conducted by his longtime collaborator and biographer Paul Hillier, including a newly recorded piece, "Dopo la vittoria".

”

Part1 - Part2 - Part3

Pärt: Da Pacem [HMU907401] Christopher Bowers-Broadbent, Paul Hillier & Estonian Philharmonic Chamber Choir
Classical | EAC APE+CUE+LOG | 1CD/213MB | Covers+Booklet | RS.com

“

Nine sacred pieces by Arvo Pärt including of his newest compositions, alongside works from earlier in his career. Pärt's longtime collaborator and biographer Paul Hillier leads the Estonian Philharmonic Chamber Choir and organist Christopher Browers-Broadbent in a third recording devoted to the Estonian composer.

”

Part1 - Part2 - Part3

Pärt: I Am The True Vine [HMU907242] Hargis, Bowers-Broadbent, Pro Arte Singers, Hillier, The Theatre of Voices
Classical | EAC APE+CUE+LOG | 1CD/209MB | Covers+Booklet | RS.com

“

"This recording is the fruit of many years' enjoyable collaboration between composer, conductor, and organist, beginning with performances of the St. John Passion back in the mid-1980s and continuing right down to the present day." (PAUL HILLIER)

”

Part1 - Part2 - Part3

Credits to the original uploader for ripping and sharing this album.

Sammartini: Sonate per Flauto e Basso Continuo [HMC905266] Maurice Steger
Classical | EAC APE+CUE+LOG | 1CD/395MB | Covers | RS.com

“

His brother, Giovanni Battista, was one of the fathers of the modern symphony; like him and like their father Alexis de Saint-Martin, Giuseppe Sammartini was a virtuoso oboist. But he chose to make his career at the court of the Prince of Wales, in London. Surrounded by a group of exceptional musicians, Maurice Steger gives us a chance to discover seven of his sonatas for recorder and continuo which, though composed in England, clearly proclaim their Italian origins! A treat for the ears, and a dazzling display of virtuosity.

”

Part1 - Part2 - Part3 - Part4 - Part5

O Felice morire [HMC901999] Joel Frederiksen, Ensemble Phoenix Munich
Classical | EAC APE+CUE+LOG | 1CD/291MB | Covers + Booklet | RS.com

“

Caccini was one of the principal creators of the stile recitativo which, at the very end of the Renaissance, led to a meteoric ascent in popularity of the solo voice. The decoration of the arias in his Nuove Musiche is never gratuitous, but always at the service of the passions of the soul, the affetti. The whole art of this style consists in maintaining a sort of expressive nonchalance or sprezzatura, characterised by elegance and lightness. With his meticulous interpretative approach and remarkable deep bass voice, Joel Frederiksen breathes new life into the theatricality of the nascent Baroque.

”

Part1 - Part2 - Part3 - Part4

Zaguán [HME987027] Miguel Poveda
Classical | EAC APE+CUE+LOG | 1CD/277MB | Covers+Booklet | RS.com

“

Miguel's voice has me under its spell (Me tiene embrujada). His powerful voice evokes a mixture of deep masculinity, raw lyricism and heady sensuality that is mesmerizing. It reaches into the primitive and mystical areas of your soul and doesn't let go. How does he get his voice to do that?! The accompanists are outstanding, (guitar) on this CD, (piano) on the other (Suena Flamenco). Try listening to this CD in the dark with headphones on... a rich albeit humbling experience. Buy anything you can get your hands on by these guys. Your life will never be the same.

”

Part1 - Part2 - Part3




Password for all of the albums is as usual: Sankerib 

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The Doors - Live In Boston 1970 (2007)

The Doors - Live In Boston 1970 (2007)
Rock | EAC-APE+logfile+art | 1.2 GB | MP3@320kps+art | 499 MB
Bright Midnight/Rhino Records

Recorded during the Absolutely Live Tour, this three-disc set, spread over two shows in Boston, reveals The Doors at the band's (or, I should say, Jim Morrison's) excessive best. Drunk, Morrison sometimes flounders, but the band holds it together and usually brings him back on course.

Usually, when I convert one of these to MP3, I use the standard track breaks. But with this one, it doesn't really work. One song flows into another, and in the case of the Light My Fire Medley on disc three, Rhino splits it into six parts! So, there are only three MP3 files here, one for each disc. The artwork is included in both lossless and lossy downloads.

Tracklist:

Disc 1
* 1st show, 7 pm

1. "Start" - (0:07)
2. "All Right, All Right, All Right" - (0:10)
3. "Roadhouse Moan" - (1:33)
4. "Roadhouse Blues" - (4:56)
5. "Ship Of Fools" (6:27)
6. "Alabama Song (Whisky Bar)" (2:02)
7. "Back Door Man" (2:16)
8. "Five To One" (9:09)
9. "When The Music's Over" (14:45)
10. "Rock Me" (7:14)
11. "Mystery Train" (7:18)
12. "Away In India" (1:54)
13. "Crossroads" (5:15)
14. "Prelude to Wake Up!" (0:48)
15. "Wake Up!" (1:33)
16. "Light My Fire" (12:32)

Disc 2
* 2nd show, 10 pm

1. "Start" (1:22)
2. "Break on Through (To the Other Side)" (8:12)
3. "I Believe In Democracy" (0:33)
4. "When The Music's Over" (14:19)
5. "Roadhouse Blues" (5:53)
6. "The Spy" (5:43)
7. "Alabama Song (Whisky Bar)" (1:40)
8. "Back Door Man" (2:27)
9. "Five to One" (7:06)
10. "Astrology Rap" (0:45)
11. "Build Me A Woman" (3:57)
12. "You Make Me Real" (3:26)
13. "Wait A Minute!" (0:44)
14. "Mystery Train" (7:52)
15. "Away In India" (2:52)
16. "Crossroads" (3:31)

Disc 3
* 2nd show, 10 pm (cont.)

1. "Band Intros" (0:35)
2. "Adolf Hitler" (0:23)
3. "Light My Fire" (5:47)
4. "Fever" [Light My Fire Cont'd] (0:23)
5. "Summertime" [Light My Fire Cont'd] (7:29)
6. "St. James Infirmary Blues" [Light My Fire Cont'd] (0:46)
7. "Graveyard Poem" [Light My Fire Cont'd] (1:13)
8. "Light My Fire" [Reprise] (2:11)
9. "More, More, More!" (0:19)
10. "Ladies & Gentlemen" (0:13)
11. "We Can't Instigate" (0:13)
12. "They Want More" (1:16)
13. "Been Down So Long" (6:13)
14. "Power Turned Off" (9:15)

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 20. March 2009, 11:51

The Doors / Live In Boston 1970 (Disc-1: First Show)

Used drive : HL-DT-STDVD-RAM GSA-H30N Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 0:07.27 | 0 | 551
2 | 0:07.27 | 0:10.33 | 552 | 1334
3 | 0:17.60 | 1:33.25 | 1335 | 8334
4 | 1:51.10 | 4:55.41 | 8335 | 30500
5 | 6:46.51 | 6:26.42 | 30501 | 59492
6 | 13:13.18 | 2:01.58 | 59493 | 68625
7 | 15:15.01 | 2:16.34 | 68626 | 78859
8 | 17:31.35 | 9:08.63 | 78860 | 120022
9 | 26:40.23 | 14:44.56 | 120023 | 186378
10 | 41:25.04 | 7:14.12 | 186379 | 218940
11 | 48:39.16 | 7:18.20 | 218941 | 251810
12 | 55:57.36 | 1:54.07 | 251811 | 260367
13 | 57:51.43 | 5:14.38 | 260368 | 283955
14 | 63:06.06 | 0:48.33 | 283956 | 287588
15 | 63:54.39 | 1:32.72 | 287589 | 294560
16 | 65:27.36 | 12:31.58 | 294561 | 350943


Range status and errors

Selected range

Filename F:\The Doors - Live In Boston 1970 (Disc-1 First Show).wav

Peak level 94.6 %
Range quality 100.0 %
Copy CRC EDB9C5D4
Copy OK

No errors occurred

End of status report

_____

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 21. March 2009, 14:54

The Doors / Live In Boston 1970 (Disc-2 Second Show)

Used drive : HL-DT-STDVD-RAM GSA-H30N Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 1:21.68 | 0 | 6142
2 | 1:21.68 | 8:12.35 | 6143 | 43077
3 | 9:34.28 | 0:32.48 | 43078 | 45525
4 | 10:07.01 | 14:19.28 | 45526 | 109978
5 | 24:26.29 | 5:53.10 | 109979 | 136463
6 | 30:19.39 | 5:42.40 | 136464 | 162153
7 | 36:02.04 | 1:39.41 | 162154 | 169619
8 | 37:41.45 | 2:27.03 | 169620 | 180647
9 | 40:08.48 | 7:05.60 | 180648 | 212582
10 | 47:14.33 | 0:45.11 | 212583 | 215968
11 | 47:59.44 | 3:56.69 | 215969 | 233737
12 | 51:56.38 | 3:26.00 | 233738 | 249187
13 | 55:22.38 | 0:44.13 | 249188 | 252500
14 | 56:06.51 | 7:52.37 | 252501 | 287937
15 | 63:59.13 | 2:51.66 | 287938 | 300828
16 | 66:51.04 | 3:30.63 | 300829 | 316641


Range status and errors

Selected range

Filename F:\The Doors - Live In Boston 1970 (Disc-2 Second Show).wav

Peak level 89.8 %
Range quality 100.0 %
Copy CRC 9C62FDFA
Copy OK

No errors occurred

End of status report


_____

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 21. March 2009, 15:44

The Doors / Live In Boston 1970 (Disc-3 Second Show (Continued))

Used drive : HL-DT-STDVD-RAM GSA-H30N Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 0:35.20 | 0 | 2644
2 | 0:35.20 | 0:22.65 | 2645 | 4359
3 | 0:58.10 | 5:47.11 | 4360 | 30395
4 | 6:45.21 | 0:23.05 | 30396 | 32125
5 | 7:08.26 | 7:28.54 | 32126 | 65779
6 | 14:37.05 | 0:46.17 | 65780 | 69246
7 | 15:23.22 | 1:12.72 | 69247 | 74718
8 | 16:36.19 | 2:11.03 | 74719 | 84546
9 | 18:47.22 | 0:18.66 | 84547 | 85962
10 | 19:06.13 | 0:13.30 | 85963 | 86967
11 | 19:19.43 | 0:13.21 | 86968 | 87963
12 | 19:32.64 | 1:15.68 | 87964 | 93656
13 | 20:48.57 | 6:12.72 | 93657 | 121628
14 | 27:01.54 | 9:15.27 | 121629 | 163280


Range status and errors

Selected range

Filename F:\The Doors - Live In Boston 1970 (Disc-3 Second Show (Continued)).wav

Peak level 93.7 %
Range quality 100.0 %
Copy CRC 3EC96AAE
Copy OK

No errors occurred

End of status report

LOSSLESS LINKS:
Part One
Part Two
Part Three
Part Four
Part Five
Part Six
Part Seven
Part Eight
Part Nine
Part Ten
Part Eleven
Part Twelve
Part Thirteen

LOSSY LINKS:
Part One
Part Two
Part Three
Part Four
Part Five

 

 

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Ivan Moravec plays Chopin - Preludes, Barcarolle etc.

Ivan Moravec plays Chopin - Preludes, Barcarolle etc.
Genre: Classical | EAC rip | Supraphon| 1 CD | scans | Flac, tracks, cues, no logs | 1993 | 245 MB

Tracklist

Links

http://rapidshare.com/files/214823243/Ivan_Moravec_plays_Chopin_Preludes__etc.part1.rar
http://rapidshare.com/files/214823244/Ivan_Moravec_plays_Chopin_Preludes__etc.part2.rar
http://rapidshare.com/files/214843630/Ivan_Moravec_plays_Chopin_Preludes__etc.part3.rar 

 

 

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Joseph Williams - This Fall (2008)

Joseph Williams - This Fall (2008)
AOR Rock | MP3 192 CBR | 52:17 | 72.3MB

Joseph Williams was the lead singer for the band Toto and along with his solo releases and contributions on movie soundtracks is regarding as having one of the most talented voices in the world of AOR Westcoast rock. This is Joseph's fourth proper solo release of all new material and he really shines on this one, yes there are still a couple of ballads on this one but for the most part it rocks much harder than his previous efforts. Anyone who is a fan Toto, westcoast AOR or great vocals will really enjoy this one.

1 This Fall 4:01
2 Do 'Ya 3:43
3 It's A Far Cry 4:44
4 Yeah, Yeah, Yeah 3:53
5 I Know What I Know 3:45
6 She Walked 3:08
7 Wonder At All 4:38
8 You Don't Know What's Coming 4:49
9 Hush 2:22
10 Don't Pull The Plug 3:34
11 Angelie 4:50
12 Tell Me Something New 4:47
13 Far Away 3:36
14 I Luv U Goodbye 0:27

 

Link:

http://rapidshare.com/files/214774582/Joseph_Williams_-_This_Fall.rar 

 

 

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Lady Dottie & the Diamonds - Lady Dottie & the Diamonds

Lady Dottie & the Diamonds - Lady Dottie & the Diamonds
Blues | hi speed soul, 2008 | Mp3 320k | 98 MB | 12 Songs, 43 Min.

Product Description
A staple in San Diego for more than a decade, featuring some of the most talented musicians around, Lady Dottie and the Diamonds are the region's premier blues act. It's a boogie-woogie dance party that goes all night. Band leader, Lady Dottie, is a soulful woman in her early 60's named Dorothy Mae Whitsett. Singing everywhere from the kitchen to the pulpit, she was raised in a family of 14 and performed in a Gospel Choir. An Alabama-bred fireball, Dottie's curvier than Lombard and got more gumption than a pack of wolves. She's a tambourine toting, hip-gyrating powerhouse with a sultry voice that will leave you trembling.

1. I Ain't Mad At Ya 2:49
2. Come Along Together 4:25
3. Have Love, Will Travel 3:14
4. Fuel to Burn 3:44
5. Why I Sing the Blues 4:01
6. Walking the Dog 4:12
7. Livin' It Up 2:12
8. Love Me or Leave Me 3:02
9. Love Me or Leave Me 3:09
10. Crazy 'Bout You Baby 2:59
11. Wang Dang Doodle 5:41
12. Movin' On Up 3:11

 

Link:

Download from RS.com

 

 

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VA - Campari Lounge II 2CD

VA - Campari Lounge II 2CD
31 MP3 | 192 kbps | Front Cover | Jazz | Single CD | 196 MB

Tracklist:
CD1
01. Pink Beach (4:25)
02. Shot The Sheriff (3:30)
03. Been Too Long (4:52)
04. Desafinado (5:48)
05. Goodbye Summer (4:03)
06. Grass-hopper (5:05)
07. Perfect Day (3:12)
08. Shiva Dance (5:57)
09. Way Up (4:08)
10. People Hold On (4:30)
11. This Time (Rivera Rotation Remix) (8:35)
12. What A Difference A Day Makes (3:13)
13. Bossa For A Coup (3:27)
14. Aground (6:15)
15. Cappuccino (3:08)
CD2
01. Mensch (5:15)
02. This Guy's In Love With You (3:48)
03. Ten Minutes (4:59)
04. let It Flow (The Jazz Mix) (5:03)
05. Guess I'll Go Back Home This Summer (3:37)
06. Down Low (4:48)
07. Gentle On My Mind (4:14)
08. September (4:26)
09. Supernatural (4:27)
10. Avenue Du Gare (Dub Mix) (4:24)
11. Walk On The Wild Side (3:43)
12. Boo-Go-Loo (2:48)
13. Frankie (4:20)
14. Kung Fu Fighting (3:24)
15. Senorita Bonita (3:52)
16. Dreiklangdimensionen (4:23)

Download

or:

http://rapidshare.com/files/214941425/VA-Campari_Lounge_II-2CD-2007-OBC.rar

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Hannah Montana :Breakout [2008]

Hannah Montana :Breakout [2008]

Track list:
1. Breakout
2. 7 Things*
3. The Driveway
4. Girls Just Wanna Have Fun
5. Full Circle
6. Fly On The Wall
7. Bottom Of The Ocean
8. Wake Up America
9. These Four Walls
10. Simple Song
11. Goodbye
12. See You Again

Link:
http://rapidshare.com/files/177708278/Breakout.rar
password: apprentice

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Richie Havens - Mixed Bag

Richie Havens - Mixed Bag
2008 [Original Release Date: 1967] | Folk/Jazz/Singer-songwriter | Label: Verve | MP3 320Kbps | 86Mb | RS

Richie Havens – guitar, sitar, vocals
* On all tracks except "I Can't Make It Anymore" and "Morning Morning":
Harvey Brooks – bass
* On all tracks except "I Can't Make It Anymore," "Morning Morning" and "Follow":
Paul Harris – organ, piano, keyboards, electric piano
Bill Lavorgna – drums
Howard Collins – second guitar
Joe Price – tabla (on "Adam" only)
Paul "Dino" Williams – amplified acoustic guitar (on "Follow" only)


1. High Flyin' Bird (Billy Edd Wheeler) – 3:35
2. I Can't Make It Anymore (Gordon Lightfoot) – 2:48
3. Morning, Morning (Tuli Kupferberg) – 2:17
4. Adam (Havens) – 3:34
5. Follow (Jerry Merrick) – 6:22
6. Three Day Eternity (Havens) – 2:15
7. Sandy (Jean Pierre Cousineau) – 3:12
8. Handsome Johnny (Lou Gossett, Havens) – 3:53
9. San Francisco Bay Blues (Jesse Fuller) – 2:30
10.Just Like a Woman (Bob Dylan) – 4:46
11.Eleanor Rigby (John Lennon, Paul McCartney) – 2:42

Link:

http://rapidshare.com/files/215100250/RH_MB.rar

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Laverne Butler - Blues in the City

Laverne Butler - Blues in the City
1999 | Flac | Log + Cue | 413MB | Covers

This is an Enhanced audio CD which contains regular audio tracks and multimedia computer files. Recorded at Sound On Sound, New York, New York on August 8 & 9, 1998.

1. This Bitter Earth
2. Please Send Me Someone To Love
3. Hit The Road Jack
4. Willow Weep For Me
5. Blues Are Out Of Town, The
6. One For My Baby
7. Late Sunday Afternoon
8. I'm A Fool To Want You
9. Born To Be Blue
10. Don't Let The Sun Catch You Crying
11. All That I Know
12. Since I Fell For You
13. Backwater Blues


Personnel: Laverne Butler (vocals); Bruce Barth (piano); John Webber (bass); Klaus Suonsaari (drums); Ava Burton, Janet Hall Givens (background vocals).

Part 01
Part 02
Part 03
Part 04
Part 05


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Codona - Live in Hamburg 1978

CoDoNa - Live in Hamburg 1978
FM broadcast | Source: preFM(Master) > CD-R > EAC> flac 6 > mp3 256 kbps | ~195 MB
Genre: Jazz, Fusion, World Fusion

I didn't really think there was a need to introduce Codona. Just in case, I looked up the wikipedia and they had this to say:

“

Codona was a free jazz and world fusion group which released three self-titled albums for Polygram Records/ECM Records in 1978, 1980 and 1982. The trio consisted of Don Cherry, Collin Walcott, and Nana Vasconcelos. The name of the group is derived from the first two letters of each of the member's first names.

”

My guess is that most of the people who read this post could add a lot more about Codona than these two short paragraphs suggest.

The Music
1 Like That of Sky 25.20
2 Codona Moondog 17.18
3 New Light 17.01
4 Mumakata / Africadeus 28.34
5 Race Face (Ornette Coleman) 07.51
6 Mumakata 05.41

The Players:
Don Cherry - trumpet, flutes, douss’n-gouni
Collin Walcott - percussion and sitar
Nana Vasconcelos - percussion and vocals

The Link

Download


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Rigel - Trois Hierodrames

Rigel - Trois Hierodrames
La sortie d'Égypte - Jephté - La destruction de Jéricho
Classical | Easy CD-DA | FLAC, CUE, No LOG | 1 CD, Covers HQ , Notes | 360 MB | CD: Juni 2007

Composer: Henri-Joseph Rigel
Performer:
Isabelle Poulenard, Philippe Do, Alain Buet,
Les Chantres du Centre de Musique Baroque de Versailles,
Orchestre des Folies Francoises, Olivier Schneebeli

Tracklist

La sortie d'Égypte

01 Introduction - Quatuor des Israélites (4:50)
02 Récit - Air de Moïse (4:13)
03 Choeur lamentable des Égyptiens (2:07)
04 Récit de Moïse et d'un Israélite (1:22)
05 Scène dernière (3:43)
06 Choeur - Chant de victoire (2:28)

Jephté

07 Introduction: Andante maestoso (:52)
08 Ariette d'Aza et choeur (3:48)
09 Ariette d'Aza: Andante grazioso - Choeur des femmes (2:29)
10 Aza et Azaël, romance d'Azaël (3:47)
11 Duo d'Aza et Azaël: Allegretto (3:17)
12 Symohonie triomphale et lointaine avec choeur: Allegretto (2:16)
13 Récitatif: Aza, Azaël et Jephté (4:07)
14 Ariette de Jephté: Andante (4:40)
15 Ariette d'Aza: Maestoso (2:38)
16 Récit d'Azaël - Cavatine de Jephté (2:08)
17 Final (5:01)

La destruction de Jéricho

18 Ouvertüre (4:20)
19 Récitatif de Josué (1:39)
20 Trompettes des Lévites (3:06)
21 Choeur simultané (3:07)
22 Arioso d'un habitant de Jéricho et air de Josué (2:28)
23 Récitatif de Josué - Cantique de jeunes filles israélites (3:21)
24 Choeur général (2:24)

Download from Rapidshare

Rigel - Trois Hierodrames

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Beethoven: Symphonies Nos. 1-9 - Bernard Haitink - London Symphony Orchestra (6CD Box Set) [Hybrid SACD]

Beethoven: Symphonies Nos. 1-9 - Bernard Haitink - London Symphony Orchestra (6CD Box Set) [Hybrid SACD]
Classical | LSO | HQ Full Album Scan (300dpi) + Booklet | XLD (LOG + CUE + Test Run + AccurateRip) | FLAC Image | 1.68 GBs | Rapidshare

"Haitink's integral set of Beethoven Symphonies with the London Symphony has none of the stodginess that sometimes afflicted his earlier recordings with the Concertgebouw. His restudy of the works, and the presence of concert audiences translate into faster tempos, sharper accents, wider dynamic range and an overall sense of energy that imbue these nine masterpieces. Here, the Classic style is wed to Romantic expressivity but not to Romantic excess, Competition is abundant, ranging from Toscanini, Furtwängler, and the 1963 von Karajan to recent sets from the sometimes hyperkinetic Vanska, the more traditional Abbado, and the insightful Barenboim. But this new Haitink set, available in hybrid SACD/CD, is a solid contender.
The early First and Second symphonies benefit from Haitink's leaner, more vivacious approach. The Eroica also sounds fresher. Its slow movement is still a funeral march, but moves a hair faster this time, just enough to be the difference between a pace that drags and a pace that flows and retains interest. In the outer movements, there’s a new spring to the rhythms and clarity in orchestral balances, and this Eroica has the cumulative intensity to make its full effect. Haitink's Fourth is in a grander mold than we usually hear. While never overblown, it has some of the wider scope and heroism of the odd-numbered symphonies. Like the Eroica, it is rhythmically vigorous and the prominent tympani and brass make an impact that sweeps the listener along. The Fifth can suffer from over-exposure but here it has a variety of tonal colors, tempos, and dynamics that make it seem newly minted while no less grand. The propulsive finale, with its pounding tympani and expertly played journey to transcendence, is especially memorable.

The Sixth, the Pastorale, has that same feeling, its flowing tempos and skillful interpretive choices make this one of the best Sixths since Böhm's, with plenty of excitement in the Storm and warmth in the final movement. The Seventh gets a buoyant reading, predominately lyrical without neglecting its powerful rhythms. The driven final movement is exhilarating without being hectic. The Eighth is often considered the slightest of the Nine but Haitink’s brisk tempos make it dance and swagger; the lyrical sections played with engaging warmth. As for the Ninth, it is miles ahead of Haitink's earlier versions. The harmonic mist that opens the work is well delineated, the contrasts within movements carefully marked, the Scherzo bursting with energy, the incomparable Adagio sings at a more fluid tempo, the choral final movement as good as any in the catalogue, its structure crystal clear under Haitink's baton. The major filler in the set is the often scorned Triple Concerto, which gets a performance of warm lyricism that can only elevate its status.

The playing of the London Symphony is phenomenal, especially since these are live recordings. The violins’ tone glows with radiance, their precise articulation helps make the rhythms energetic, the winds are uniformly excellent, the brass sleekly powerful, the potent percussion authoritative in climaxes. If a criticism can be made it would be that bass lines are sometimes weaker than desirable, perhaps a function of engineering that varies in clarity from disc to disc but is never less than good. In sum, a major addition to the Beethoven Symphony discography. --Dan Davis"

ALBUM
RELEASE DATE: Sep 12, 2006
LABEL: LSO
UPC: 82223115982
CATALOG: LSO0598
ARTIST: Bernard Haitink - London Symphony Orchestra
COMPOSER: Ludwig Van Beethoven
GENRE: Classical
# Discs: 6
# Tracks: 41
TOTAL RUNTIME: 6:37:23 hr

EXTRACTION
QUALITY: Apple Lossless
ENGINE: X Lossless Decoder / FLAC 1.2.1
ENCODE: FLAC Image + CUE + LOG
SAMPLE: 44.1 KHz/16 Bit
TAGGING: Basic tags + Embedded Cover (8KB Padding)
ALBUM SIZE: 1.51 GBs
TOTAL FILE SIZE: 1.68 GBs

X Lossless Decoder version 20090320 (105.1)

XLD extraction logfile from 2009-03-29 21:35:36 -0300

Bernard Haitink - London Symphony Orchestra / Beethoven: Symphonies Nos 1-9 [Hybrid SACD] [LSO0598]

Used drive : MATSHITA DVD-R UJ-875 (revision DA09)

Use cdparanoia mode : YES (CDParanoia III 10.2 engine)
Disable audio cache : OK for the drive with cache less than 2750KB
Make use of C2 pointers : NO
Read offset correction : 102
Max retry count : 100

TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 15:35:63 | 0 | 70187
2 | 15:35:63 | 13:50:21 | 70188 | 132458
3 | 29:26:09 | 14:11:54 | 132459 | 196337
4 | 43:37:63 | 24:33:02 | 196338 | 306814

List of alternate offset correction values
# | Absolute | Relative | Confidence
------------------------------------------
1 | 90 | -12 | 3

All Tracks
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Album gain : 0.98 dB
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CRC32 hash : 09B07D58
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Inconsistency in error sectors : 0

Track 01
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CRC32 hash (test run) : E08B841C
CRC32 hash : E08B841C
CRC32 hash (skip zero) : 208C6EEC
AccurateRip signature : D912A904
->Accurately ripped! (confidence 6)
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Track 02
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->Accurately ripped! (confidence 7)
Statistics
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Edge jitter error (maybe fixed) : 0
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Track 03
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->Accurately ripped! (confidence 7)
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Inconsistency in error sectors : 0

Track 04
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->Accurately ripped! (confidence 7)
Statistics
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No errors occurred

End of status report

TRACKS:
Symphony No.3 in Eb, Op.55 "Eroica": I. Allegro con brio - (1 of 6) - 17:50
Symphony No.3 in Eb, Op.55 "Eroica": II. Marcia funebre: Adagio assai - (1 of 6) - 14:22
Symphony No.3 in Eb, Op.55 "Eroica": III. Scherzo and Trio: Allegro vivace - (1 of 6) - 5:54
Symphony No.3 in Eb, Op.55 "Eroica": IV. Finale: Allegro molto - (1 of 6) - 11:07
Leonore Overture No.2 in C, Op.72a - (1 of 6) - 15:01
Symphony No.4 - I. Adagio - Allegro vivace - (2 of 6) - 11:19
Symphony No.4 - II. Adagio - (2 of 6) - 9:06
Symphony No.4 - III. Allegro vivace - (2 of 6) - 5:38
Symphony No.4 - IV. Allegro ma non troppo - (2 of 6) - 6:47
Symphony No.8 - I. Allegro vivace e con brio - (2 of 6) - 9:08
Symphony No.8 - II. Allegretto scherzando - (2 of 6) - 3:54
Symphony No.8 - III. Tempo di menuetto - (2 of 6) - 4:24
Symphony No.8 - IV. Allegro vivace - (2 of 6) - 7:25
Symphony No.5 - I. Allegro con brio - (3 of 6) - 7:35
Symphony No.5 - II. Andante con moto - (3 of 6) - 8:36
Symphony No.5 - III. Allegro - (3 of 6) - 4:54
Symphony No.5 - IV. Allegro - (3 of 6) - 10:18
Symphony No.1 - I. Adagio molto - Allegro con brio - (3 of 6) - 9:40
Symphony No.1 - II. Andante cantabile con moto - (3 of 6) - 6:52
Symphony No.1 - III. Menuetto & trio. Allegro molto e vivace - (3 of 6) - 3:19
Symphony No.1 - IV. Adagio - Allegro molto e vivace - (3 of 6) - 5:46
Symphony No.6 'Pastoral' - I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - (4 of 6) - 11:39
Symphony No.6 'Pastoral' - II. Szene am Bach - (4 of 6) - 11:48
Symphony No.6 'Pastoral' - III. Lustiges Zusammensein der Landleute - (4 of 6) - 4:59
Symphony No.6 'Pastoral' - IV. Gewitter, Sturm - (4 of 6) - 3:32
Symphony No.6 'Pastoral' - V. Hirtengesang - Frohe, dankbare Gefuhle nach dem Sturm - (4 of 6) - 9:37
Symphony No.2 - I. Adagio molto - Allegro con brio - (4 of 6) - 13:06
Symphony No.2 - II. Larghetto - (4 of 6) - 10:43
Symphony No.2 - III. Scherzo & Trio. Allegro - (4 of 6) - 4:00
Symphony No.2 - IV. Allegro molto - (4 of 6) - 6:39
Symphony No.7 in A, Op.92: I. Poco sostenuto - Vivace - (5 of 6) - 13:25
Symphony No.7 in A, Op.92: II. Allegretto - (5 of 6) - 7:41
Symphony No.7 in A, Op.92: III. Presto - (5 of 6) - 9:05
Symphony No.7 in A, Op.92: IV. Allegro con brio - (5 of 6) - 8:30
Triple Concerto in C, Op.56: I. Allegro - (5 of 6) - 17:40
Triple Concerto in C, Op.56: II. Largo - (5 of 6) - 5:01
Triple Concerto in C, Op.56: III. Rondo alla Polacca - (5 of 6) - 13:13
Symphony No 9 in D minor, Op.125 'Choral' - I Allegro ma non troppo, un poco maestoso - (6 of 6) - 15:36
Symphony No 9 in D minor, Op.125 'Choral' - II. Scherzo: Molto vivace - (6 of 6) - 13:50
Symphony No 9 in D minor, Op.125 'Choral' - III. Adagio molto e cantabile - (6 of 6) - 14:12
Symphony No 9 in D minor, Op.125 'Choral' - IV. Presto - Allegro ma non troppo - Vivace - Adagio canttabile - (6 of 6) - 24:33

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- (OS X) X Lossless Decoder (XLD) - Multiple format + CUE sheets compatibility. Re-encode FLAC/APE/WVPACK Images files with CUE sheets to Apple Lossless.

INFO LINKS:
Amazon

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SEPARATED ART SCANS (INCLUDED IN THE FULL DOWNLOAD!)

 

 

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Rhino Bucket - No Song Left Behind (2007)

Rhino Bucket - No Song Left Behind (2007)
Genre: Rock, Hard Rock | MP3 320 kbps | 156 MB | 66,25 min.| Front Cover
Label: Acetate Records / Registred in 2007 / 15 Tracks

Rhino Bucket is a hard rock band from Van Nuys, Los Angeles, California. The band was formed in 1988 by Georg Dolivo (guitars and lead vocals), Greg Fields (guitars), Reeve Downes (bass), and Rick Kubach (drums). This lineup played the Los Angeles rock scene for a year with contemporaries such as Junkyard, The Four Horsemen, The Sea Hags and countless others. Warner Brothers signed the band in 1989 and they released their self-titled debut in 1990 with Liam Jason (Warrior) on drums. Their second album, 1992's Get Used to It, was recorded in Memphis with producer Terry Manning (Led Zeppelin, ZZ Top, George Thorogood)... more.. Wikipedia >> YouTube

Tracklist

01. Sights Too High (Previously Unreleased)
02. Been There, Done That (Previously Unreleased)
03. Nothin' To Lose (Previously Unreleased)
04. One Night Stand (Live)
05. Beat To Death Like A Dog (Live)
06. Hey There (Live)
07. Ride The Rhino (Live)
08. Train Ride (Live)
09. She's A Screamer (Live)
10. Rather Go Insane (Original Demo)
11. Hand To Mouth (Original Demo)
12. Scratch N' Sniff (Original Demo)
13. Shot Down (Original Demo)
14. One Night Stand (Original Demo)
15. This Ain't Heaven (Original Demo)

RapidShare

http://rapidshare.com/files/213891441/RB_NSLB07.part1.rar
http://rapidshare.com/files/213901325/RB_NSLB07.part2.rar

Pasword: L@ter

 

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Red Hot Chili Peppers - What Hits!? (1992)

Red Hot Chili Peppers - What Hits!? (1992)
Alternative Pop/Rock | EAC rip | WavPack: IMG+CUE+EAC/log -> 442 MB or mp3@VBR V0 (260kbps) -> 130 MB
67:20 min | scans 600dpi -> 14 MB | RAR inc. 3% recovery | RS.com | EMI 7947622

AMG review by Steve Huey:

“

After the Red Hot Chili Peppers left EMI for Warner Bros. and hit the big time with "Under the Bridge," their former label gathered most of the best tracks from the group's first four albums for the compilation What Hits!? Since Blood Sugar Sex Magik, the Peppers' most popular album, was recorded for Warner, none of its songs are present — with the exception of "Under the Bridge," which was somehow licensed for use. What Hits!? does a pretty good job of sifting through the Peppers' uneven discography and picking out the best moments, making it a very useful sampler; it also contains "Show Me Your Soul," the band's contribution to the Pretty Woman soundtrack.

”

Release date: Sep 29, 1992

Tracklist:

01 Higher Ground (03:22)
02 Fight Like a Brave (03:52)
03 Behind the Sun (04:40)
04 Me & My Friends (03:07)
05 Backwoods (03:05)
06 True Men Don't Kill Coyotes (03:37)
07 Fire (02:02)
08 Get Up And Jump (02:50)
09 Knock Me Down (03:43)
10 Under the Bridge (04:26)
11 Show Me Your Soul (04:21)
12 If You Want Me To Stay (04:05)
13 Hollywood (05:01)
14 Jungle Man (04:07)
15 The Brothers Cup (03:27)
16 Taste the Pain (04:28)
17 Catholic School Girls Rule (01:56)
18 Johnny Kick a Hole in the Sky (05:10)

lossless:
part 1 | part 2 | part 3 | part 4 | part 5

covers:
download

mp3:
part 1 | part 2

no password

 

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Miles Davis - Around Midnight 1967 - 2008

Miles Davis - Around Midnight 1967 - 2008
DVDRip XViD | 576x432 | 44m 52s 11ms | Video Bitrate: 635 kbps | Audio bitrate: 448 kbps | 362 MB (3% Recovery)
Jazz | Label: Salt Peanuts | Audio Codec: AC3, CBR (Dolby)

B+W. Miles David, trumpet; Wayne Shorter, tenor sax; Herbie Hancock, piano; Ron Carter, bass and Tony Williams, drums. Recorded at the Konserthuset, Stockholm, Sweden, October 31, 1967 and at the Stadthalle, Karlsruhe, Germany, November 7, 1967. Includes: Agitation; Footprints; Around Midnight; Gingerbread Boy; I Fall in Love Too Easily.

Preview Thumbnails

@RapidShare.com: Part 1 | Part 2
@FileFactory.com: Part 1 | Part 2

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